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Jazz Standards for Vocalists with Combo Accompaniment: Vocal Part Book

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Jazz Standards for Vocalists with Combo Accompaniment Cover Image

Jazz Standards for Vocalists with Combo Accompaniment: Vocal Part Book

Arr. Dave Wolpe

Item: 00-29938

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Description
Belwin Jazz offers ten great jazz standards arranged for solo vocalist with a nine or ten piece combo accompaniment. These songs are superbly arranged by one of the finest writers in the business, Dave Wolpe. This collection is ideal for a vocalist who needs a smaller ensemble with four or five horns and rhythm section. The combo horns are trumpet, alto sax, tenor sax, trombone and baritone sax. The baritone sax part adds additional color to the texture but is optional. The rhythm section is scored for guitar, bass, drumset and a piano/conductor part which includes cues for the horns.

Titles include: How High the Moon * I Get a Kick Out of You * I've Got You Under My Skin * Just Friends * My Funny Valentine * Night and Day * Something's Gotta Give * Summer Wind * They Can't Take That Away From Me * Too Close For Comfort

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Additional Details
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-5244-6
ISBN13: 978-0-7390-5244-0
UPC: 038081328072
SKU: 00-29938
Instrumentation: Vocal Part

More about this title

About the Arranger: Dave Wolpe

Dave Wolpe

Dave Wolpe began his arranging career in 1965 and has built a legacy as one of the most reliable voices in big band and combo writing. His work with the Glenn Miller Orchestra spans decades, and he served as co-arranger on the platinum-selling In the Christmas Mood, a project that solidified his gift for balancing accessibility with sophisticated orchestration.

Why we love this

Wolpe understands exactly what vocalists need from a rhythm section and horn section: he gives soloists room to breathe while keeping the ensemble locked and conversational. The optional baritone sax and cued horn parts in the piano/conductor score make this genuinely flexible for ensembles of different sizes without sacrificing the warmth of the original arrangements.

What to expect

These arrangements evoke the elegance of the American Songbook filtered through modern jazz sensibility. Each standard sits comfortably in its own groove, with the horns adding color and conversation without overwhelming the vocalist's intimate storytelling.

Who it's for

This collection suits vocalists who are comfortable with jazz phrasing and interpretation and who work regularly with small ensembles or jazz combos. It's ideal for singers preparing recitals, jazz competitions, or nightclub-style performances where a nine or ten-piece ensemble is practical.

How to get the most out of it

  • Balance the solo line against the combo texture by having the vocalist mark phrase contours during rehearsal with the guitarist and bassist; they set the rhythmic foundation that allows the horns to sit back and respond.
  • Work tempos with the drummer first, establishing the groove and pocket before the horns enter; jazz standards live in the space between the beat, not on top of it.
  • Encourage the vocalist to use the horn cues as conversation partners, not accompaniment; when the alto sax answers a phrase, it's a musical exchange, not background color.

How to use it

Feature a single standard in a mixed concert as a bridge between classical and jazz genres, or program the entire collection as a jazz vocal recital with your ensemble. These titles also work beautifully for end-of-year jazz showcases or as part of a cabaret-style concert program.

Skills your students will build

  • Phrasing over changing harmonic backgrounds and rhythmic feels
  • Trading melodic lines with horn soloists
  • Maintaining connection with rhythm section in a small-group setting
  • Interpreting jazz standards with authentic interpretation and appropriate swing feel

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