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Jazz Keyboard Toolbox: Keyboard/Piano Book & Online Audio

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Jazz Keyboard Toolbox Cover Image

Jazz Keyboard Toolbox: Keyboard/Piano Book & Online Audio

The Nuts and Bolts Guide to Learning Jazz Keyboard

By Bill Cunliffe

Level: Intermediate / Late Intermediate

Item: 00-19364

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Description
Now you can learn to play jazz keyboard without knowing a lot of complicated music theory. This step-by-step method uses listening and play-along techniques that make learning to play jazz fun and easy, with just enough theory to understand the concepts. You will gain a solid knowledge of the basic tools needed for accompanying and soloing in any jazz setting. A recording is included, so you can play the examples and tunes along with a professional jazz band.

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Sample Pages

Sample Audio
1 Bebop Blues --:--
2 Havana --:--
3 Something For Herbie --:--

Bebop Blues

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Sample Video
Additional Details
Series: Jazz Startup Series
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7390-0726-2
ISBN13: 978-0-7390-0726-6
UPC: 038081182018
SKU: 00-19364

More about this title

About the Author: Bill Cunliffe

Bill Cunliffe

Bill Cunliffe earned recognition early in his career, winning several Down Beat Awards during his time at Eastman School of Music. His professional trajectory brought him to the bandstand alongside some of jazz's most respected names: he served as pianist and arranger with Buddy Rich, toured Europe with Frank Sinatra, and later performed with Ray Brown, Joe Henderson, Freddie Hubbard, Art Farmer, Woody Shaw, and James Moody. His compositions and arrangements have been performed by the Illinois Philharmonic, San Diego Symphony, Pasadena Pops Orchestra, and Manhattan School of Music Jazz Philharmonic, among others.

Cunliffe's achievements include winning the 1989 Thelonious Monk International Jazz Piano Award, receiving support from the National Endowment for the Arts, and earning Grammy nominations for his arranging work. As a bandleader, he has released a dozen jazz recordings; his album Imaginacion reached number 2 on the JazzWeek radio charts and featured his Latin Jazz Nonet. He appeared as a guest on Marian McPartland's celebrated Piano Jazz radio program in 1998 and has taught at Central State University. His published works span keyboard methods, big band and chamber compositions, and choral music across multiple publishers.

Why we love this

Cunliffe strips away the intimidation factor by building jazz fundamentals through listening and playing rather than heavy theoretical scaffolding. The recorded accompaniment lets students engage with authentic jazz rhythm sections from day one, making the learning process sound and feel like real musicmaking instead of isolated technical drills. A pianist who has worked with world-class musicians writes here with the clarity of someone who knows exactly what a developing jazz keyboardist actually needs to know.

What to expect

Approachable and encouraging, with the pedagogical clarity of someone who has performed the music professionally. The recorded band gives you the immediate sensation of playing in a real jazz setting, building confidence as you discover that you can actually make music in this idiom.

Who it's for

Intermediate and late intermediate pianists ready to explore jazz but uncertain where to start with theory. This book welcomes keyboardists who learn best by ear and example, offering a practical pathway into accompanying and soloing without requiring deep theoretical background.

How to get the most out of it

  • Use the recorded accompaniment to internalize jazz time and comping patterns in a real ensemble context rather than practicing these concepts in isolation
  • Pay close attention to the listening examples before attempting each exercise; let your ear absorb the vocabulary before your fingers tackle it
  • Experiment with the voicings and concepts on standards you already know so the new material becomes a tool for expression rather than abstract theory

How to use it

Use this as the foundation text when integrating jazz into your studio or classroom keyboard program. Its 48-page scope fits a semester or two of focused study, and students who complete it will have functional tools for jazz ensemble participation or continued independent exploration.

Skills your students will build

  • Comping with appropriate voicings in jazz idiom
  • Soloing over jazz chord progressions
  • Reading and interpreting lead sheets
  • Understanding jazz harmony and chord substitutions
  • Listening actively to professional jazz recordings and ensemble playing
  • Building time feel and groove in an ensemble context

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