It's All Over Now: Banjo TAB
12 Great Songs of the '60s, '70s & '80s
Item: 00-PS-0011815
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Description
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More about this title
About the Composer: Bobby Womack
Bobby Womack (1944-2014) was a soul and R&B singer, songwriter, and guitarist whose influence extended far beyond his own recordings. His composition "It's All Over Now" became a landmark cover for The Rolling Stones in 1965, introducing his songwriting to rock audiences worldwide and establishing him as a composer whose work transcended genre boundaries.
Womack's career spanned decades of session work, production, and performance across soul, rock, and country music. His ability to write songs that worked equally well in multiple idioms made him a valued collaborator and demonstrates why his compositions remain popular choices for instrumental adaptation and reinterpretation.
Why we love this
This collection brings authentic rock classics into the banjo world without relying on bluegrass standards or folk arrangements. The guitar-to-banjo transcriptions preserve the original character of each song while the included roll and picking patterns give players immediate access to idiomatic banjo techniques, making these familiar tracks feel fresh and playable.
What to expect
Iconic rock songs take on a distinctly different character when adapted for banjo. These arrangements honor the melodic and harmonic cores of the originals while the bright, percussive voice of the banjo gives familiar tunes an unexpected energy and charm. The blend of familiar hooks with banjo timbre creates a satisfying contrast that rewards both player and listener.
Who it's for
Banjo players already comfortable with tablature who want to expand beyond traditional bluegrass and folk repertoire into classic rock material. This collection serves players looking for recognizable, engaging songs to learn and perform, whether in recitals, jam sessions, or casual playing.
How to get the most out of it
- Study the suggested roll patterns before diving into the full arrangements; these serve as technique builders and will make the overall phrasing sound more natural and flowing.
- Reference the original recordings for tempo and phrasing, especially on songs like "Stairway to Heaven" and "Hotel California" where the guitar dynamics translate directly to dynamic control on the banjo.
- Adapt the picking patterns to your playing style and comfort level; the suggestions are starting points, not requirements. Your own right-hand patterns will shape how these arrangements sit in your hands.
- Pay attention to any key differences from the original recordings. Banjo tuning and range may shift certain passages slightly, so verify octaves and phrase placement before performing.
How to use it
Feature these songs in recitals that showcase contemporary arrangements of rock standards, or use them as bridge material in mixed-instrument concerts where banjo traditionally hasn't been featured. They work equally well as solo performance pieces for students exploring genre diversity or as motivation for banjo students seeking repertoire beyond the traditional folk and bluegrass canon.
Skills your students will build
- Reading banjo tablature with rhythm notation
- Executing roll patterns specific to banjo technique
- Adapting guitar arrangements to banjo tuning and range
- Developing right-hand picking patterns and dynamics
- Translating melodic lines from lead guitar parts to banjo phrasing