After Midnight Sheet Music Preview

After Midnight: Banjo TAB

12 Great Songs of the '60s, '70s & '80s

Item: 00-PS-0011913

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Description
Classic Rock Banjo is designed for your total enjoyment. Each song uses the original guitar parts arranged for the banjo. Also, we've added some suggested roll and picking patterns to add to the fun. Titles: After Midnight (Eric Clapton) * Go Your Own Way (Fleetwood Mac) * Hotel California (Eagles) * It's All Over Now (The Rolling Stones) * Jump (Van Halen) * Long Train Runnin' (The Doobie Brothers) * Maggie May (Rod Stewart) * The Night They Drove Old Dixie Down (The Band) * Paint It, Black (The Rolling Stones) * Stairway to Heaven (Led Zeppelin) * Sunshine of Your Love (Cream) * Truckin' (Grateful Dead).

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Additional Details
Series: Just for Fun
Publisher: Alfred Music
Page Count: 64
SKU: 00-PS-0011913

More about this title

About the Composer: J. J. Cale

J. J. Cale wrote the original "After Midnight," which Eric Clapton famously covered and transformed into a blues-rock standard. Cale's compositional approach favored understated grooves and minimal arrangements that left space for reinterpretation, making his songs ideal vehicles for musicians across genres and instruments.

Why we love this

This collection transforms twelve iconic rock songs into idiomatic banjo arrangements that respect the original guitar parts while playing to the instrument's natural strengths. The included roll and picking pattern suggestions turn technical learning into active problem-solving, letting players discover how different approaches reshape the same melody.

What to expect

Electric and focused. These are songs built on riffs and hooks, not open-string resonance. Your banjo will sound tighter, more percussive, and unexpectedly at home trading licks with the iconic guitar lines you know from radio and film.

Who it's for

Banjo players who want to expand beyond traditional Appalachian and bluegrass material into the rock canon without waiting for someone else to write the arrangement. Intermediate to advanced players will get the most from the TAB and pattern suggestions, though determined intermediate players can use the picking patterns as a learning scaffold.

How to get the most out of it

  • Experiment with the suggested roll patterns first, then modify them to fit your hand position and speed. A pattern that feels awkward at tempo 80 often locks in beautifully at 100.
  • Listen closely to the original recordings before diving into the TAB. Your ear will catch phrasing nuances that notation alone can't capture, especially the space between notes.
  • Mark spots where the rhythm guitar rests or drops out in the original. Those silences shape the groove as much as the notes do, and honoring them transforms a note-for-note transcription into an actual performance.
  • Layer dynamics across the arrangement rather than playing everything at one volume. Let verses sit quieter than choruses, and let sustained passages breathe differently than rapid-fire passages.

How to use it

Use this collection for solo recitals that break the genre expectations around banjo performance, or select individual titles to showcase the instrument's versatility alongside other soloists in a mixed concert. A player tackling "Stairway to Heaven" or "Hotel California" on banjo becomes a conversation starter and a reminder that genre boundaries are more fluid than they appear.

Skills your students will build

  • Translating guitar voicings and riff patterns to banjo fingerings
  • Reading and executing suggested roll patterns at various tempos
  • Interpreting rhythmic phrasing and resting points from original recordings
  • Building dynamic shape and texture across an arrangement
  • Adapting picking patterns to maintain the character of iconic songs

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