It Had to Be You Cover Image

It Had to Be You: Choral Octavo SoundTrax CD

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It Had to Be You Cover Image

It Had to Be You: Choral Octavo SoundTrax CD

Words by Gus Kahn, music by Isham Jones / arr. Russell Robinson

Item: 00-CDM02009

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Description
This enduring song from the '20s comes to life once more in this exceptionally creative arrangement by Russell Robinson. Solo opportunities abound. Don't miss this one!

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Additional Details
Publisher: Alfred Music
UPC: 654979027447
SKU: 00-CDM02009

More about this title

About the Composer: Isham Jones

Isham Jones (1894-1968) was a bandleader, composer, and violinist who shaped the sound of American popular music during the Jazz Age and beyond. His gift for melody and sophisticated harmonies made him a prolific songwriter of standards that remain in the repertoire today, and his work as a bandleader helped define the dance band sound of the 1920s and 1930s.

Why we love this

Russell Robinson's arrangement transforms this beloved standard into a showcase for your ensemble's sectional personality and solo voices. The abundance of solo opportunities means every singer can step into a moment, making it an energizing choice for groups that thrive on individual contribution.

What to expect

The arrangement captures the wistful optimism of the original: romantic without being overwrought, swinging without losing its melody. There's an ease to it, the feeling of a song that's been sung a thousand times and yet still moves you.

Who it's for

This octavo works for choirs comfortable with solo features and looking for engaging material that appeals to general audiences. Programs seeking a jazz-inflected standard that balances accessibility with musical substance will find this a rewarding choice.

How to get the most out of it

  • Balance solo passages carefully against the choir so the soloists project without overshadowing the harmonic foundation.
  • Let the recorded accompaniment set a relaxed, conversational tempo that gives the lyrics room to breathe.
  • Shape the melodic line with thoughtful dynamic contours rather than maintaining a uniform volume throughout.
  • Use the SoundTrax CD to rehearse part independence in sectional warm-up; singers can practice solo entries against the full arrangement.

How to use it

Program this as a lighter moment in a concert that might otherwise lean classical or contemporary, or pair it with other standards from the same era to create a whole set. It's equally at home in a pops concert or a mixed repertoire evening where you want the audience to leave humming.

Skills your students will build

  • Singing with solo confidence in a choral context
  • Balancing individual voice with ensemble blend
  • Interpreting jazz-influenced phrasing and swing
  • Following a recorded accompaniment as a learning and performance tool

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