It Had to Be You Cover Image

It Had to Be You: SoundTrax Digital Audio Download

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It Had to Be You Cover Image

It Had to Be You: SoundTrax Digital Audio Download

Words by Gus Kahn, music by Isham Jones / arr. Greg Gilpin

Item: 00-A-00015723

$27.99
Digital Download
Description

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-A-00015723

More about this title

About the Composer: Isham Jones

Isham Jones (1894-1956) was a bandleader, violinist, and composer who shaped American popular music during the 1920s and 1930s. Leading one of the most commercially successful dance orchestras of his era, Jones wrote dozens of standards that became fixtures of the Great American Songbook, including "It Had to Be You," which he composed in 1924 with lyricist Gus Arnheim.

Jones's melodies are marked by singable lines and harmonic sophistication that bridge popular and jazz idioms. His work remains relevant in music education because these songs teach students authentic American composition and connect them to a vital historical moment when popular song and instrumental jazz were reshaping musical culture.

Why we love this

Greg Gilpin's arrangement keeps the charm of this beloved standard intact while giving choirs a straightforward, singable setting that doesn't require extensive rehearsal time. The recorded accompaniment lets you hear exactly how the piece should sit rhythmically and texturally, which is invaluable when introducing students to swing-era phrasing and rubato in a choral context.

What to expect

Warm and nostalgic, with the easy sophistication of a 1920s jazz ballroom. The arrangement glides through conversational melodic moments and creates a sense of romantic inevitability; singers often feel the emotional directness of the lyric without needing to perform it theatrically.

Who it's for

Choirs seeking accessible repertoire from the Great American Songbook that introduces jazz-influenced phrasing without overwhelming younger or less experienced singers. This setting works equally well for high school show choirs, community choruses, and audition or recital programs where a polished, immediately recognizable standard adds variety to a concert.

How to get the most out of it

  • Anchor the rhythm section to the recorded accompaniment in your first rehearsals; this helps singers lock into the swing feel without over-thinking the syncopation.
  • Shape the melody line with subtle dynamic waves rather than dramatic swells; 1920s popular songs rely on intimate phrasing that gets lost in broad gestures.
  • Allow space in the arrangement for the recorded instruments to breathe; resist the urge to fill every gap with vocal sound.
  • Work the jazz articulation of held notes separately from the running passages so singers understand how to switch between legit and swing styles within the same phrase.

How to use it

Slot this into a concert celebrating American song standards or pairing it with other arrangements from the Alfred Pop Choral Series for a cohesive set. Its moderate length and familiar melodic hook also make it an excellent opener or closer when programming needs a piece that connects with audiences immediately.

Skills your students will build

  • Jazz phrasing and swing rhythmic feel within a choral context
  • Balancing legit vowels with subtle rhythmic syncopation
  • Following a recorded accompaniment while maintaining independent vocal lines
  • Interpreting popular song from the 1920s-1930s era authentically

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