Invitation Cover Image

Invitation: SATB Choral Octavo

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Invitation Cover Image

Invitation: SATB Choral Octavo

Text by Paul Laurence Dunbar / music by Michael Larkin

Level: Moderate

Item: 00-LG53046

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Description
Paul Lawrence Dunbar is an African-American poet who was a major influence on Langston Hughes. Based on his poetry, this delightful work will add substance to your next concert because of its wonderful melody and highly descriptive lyric.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Invitation: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Lawson-Gould Music Publishers
Publisher: Alfred Music
Page Count: 8
UPC: 654979007609
SKU: 00-LG53046

More about this title

About the Composer: Michael Larkin

Michael Larkin

Michael Larkin brings three decades of leadership in vocal and choral music to his compositional work. As former chair of the Vocal/Choral Department at the Music School of Delaware and a distinguished voice teacher there, he shaped generations of singers while maintaining an active career as a baritone soloist, guest conductor, and festival clinician.

Larkin's compositional output spans over 300 works across choral, vocal, piano, and orchestral genres, published by major houses nationwide. He currently directs music at St. Barnabas Episcopal Church in Wilmington, Delaware, founded and leads the New Ark Chorale, and conducts the Brandywine Pops Orchestra, continuing his influence on regional musical life.

Why we love this

Larkin sets Dunbar's evocative poetry with a melody that feels both contemporary and timelessly singable, giving your ensemble material that carries genuine literary substance without requiring specialized vocal techniques. At Grade 3, it strikes the sweet spot where developing choirs can sound polished and expressive in a single concert piece. The text itself draws attention to an important American poet, making this a natural vehicle for programming that honors diverse voices in music.

What to expect

The piece unfolds with an inviting warmth, its melody drawing listeners into Dunbar's vivid world. Beneath the surface clarity lies subtle harmonic movement that rewards attentive listening, creating a performance that feels both welcoming and substantive.

Who it's for

Developing mixed choirs (Grade 3) seeking repertoire with literary merit and accessibility. This work suits community choirs, school programs, and church ensembles looking to expand their connection to African-American poetry and artistic expression.

How to get the most out of it

  • Shape the melodic line with attention to Dunbar's imagery; let the descriptive language guide your phrasing rather than mechanically hitting phrase endpoints.
  • Balance the parts so the soprano line remains clear without dominating; this octavo rewards blend and transparency across all four voices.
  • Approach dynamic changes gradually to match the emotional arc of the text, avoiding abrupt shifts that undercut the poetry's contemplative quality.

How to use it

Program this as an anchor piece in a concert focused on poetry and music, where it can share the stage with other text-driven works or stand alone as a showcase for your ensemble's ability to serve literature. It works equally well as part of a concert celebrating African-American composers and poets, or simply as a crowd-pleasing selection that demonstrates your choir's artistry without technical demands that overshadow the music's message.

Skills your students will build

  • Interpreting lyrical expression through text comprehension
  • Balancing SATB texture while maintaining melodic clarity
  • Sustaining long phrases with controlled breath management
  • Responding to harmonic color changes within a diatonic context

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