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Introduction and Allegro: String Orchestra Conductor Score & Parts

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Introduction and Allegro: String Orchestra Conductor Score & Parts

By Joseph de Boismortier / arr. Robert D. McCashin

Grade: 4

Item: 98-ST6064

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Description
From a set of pieces originally written by Boismortier for five treble instruments, this arrangement by Robert D. McCashin offers a number of performance opportunities for your orchestra.

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Additional Details
Series: FJH String Orchestra
Publisher: The FJH Music Company, Inc.
UPC: 674398214709
SKU: 98-ST6064

More about this title

About the Composer: Joseph de Boismortier

Joseph de Boismortier (1689-1755) was a prolific French Baroque composer whose output spanned instrumental music, vocal works, and operas. He wrote extensively for small ensembles and was among the first to publish solo cello concertos, helping establish the instrument's repertoire during a time when it was still finding its voice in chamber and orchestral settings.

Boismortier's compositional style bridges the French and Italian traditions of his era, marked by clear melodic lines, elegant phrasing, and structural clarity. His original works for treble instruments remain valuable teaching material because they balance accessibility with genuine musical substance, offering students exposure to Baroque form and scoring without requiring virtuosic technique.

Why we love this

McCashin's arrangement opens a Baroque gem to full string orchestras without compromising the original's character. The Grade 4 scoring keeps all voices accessible while preserving the rhythmic vitality and melodic elegance that make Boismortier's work engaging for young players.

What to expect

The introduction establishes a courtly, dance-like character before the allegro launches into nimble, buoyant motion. The piece has the lightness and grace of French Baroque instrumental music, with clear melodic ideas that invite young musicians into a world of elegance and formal structure.

Who it's for

String orchestra directors working at the intermediate level who want to program substantial Baroque music without sacrificing accessibility. Players benefit from exposure to period style, clean ensemble balance, and the musicianship demands of sustained melodic writing.

How to get the most out of it

  • Emphasize the articulation implied by the Baroque original; crisp bow attacks on eighth-note passages give the piece its proper rhythmic energy.
  • Balance the introduction section carefully so it sets a clear harmonic foundation for the allegro without overwhelming the ensemble's growing confidence.
  • Maintain consistent vibrato use across sections to achieve the warmth appropriate to this period without obscuring the clarity of the lines.
  • Shape the phrase endings with slight dynamic tapering to reflect Baroque phrasing conventions and create natural breathing points.

How to use it

This works beautifully as a contrast to Romantic or contemporary pieces on the same concert, offering audiences the pleasure of Baroque clarity and proportion. It also fits naturally into thematic programming around string technique or European musical traditions across centuries.

Skills your students will build

  • Baroque articulation and phrasing conventions
  • Sustained intonation in slower introductory sections
  • Rhythmic precision in allegro passages with repeated figures
  • Ensemble balance across multiple melodic voices
  • Historical style recognition and period-appropriate interpretation

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