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Intermediate String Techniques: Bass Book

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Intermediate String Techniques Cover Image

Intermediate String Techniques: Bass Book

By Forest Etling

Item: 00-12601

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Description
An excellent method for string classroom instruction, the Etling String Class Method provides teachers with a flexible format that can be customized to suit a class of any size or ability. Daily drills, solos, intonation, bow stroke, counting, rhythm and hand position are emphasized and can be taught before, after, or along with note reading.

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Additional Details
Publisher: Alfred Music
Page Count: 40
UPC: 038081087771
SKU: 00-12601
Instrumentation: Bass

More about this title

About the Author: Forest Etling

Forest Etling's string class method has shaped instrumental pedagogy for generations of teachers seeking practical, flexible approaches to group instruction. His emphasis on foundational technique alongside ensemble playing reflects a deep understanding of how string students learn in classroom settings.

Why we love this

This book gives bass teachers genuine flexibility. You can address intonation work, bow control, and hand position on your own timeline, independent of where your ensemble is reading. The daily drill structure builds consistent technique without requiring every student to progress at the same pace.

What to expect

Methodical and purposeful. The daily structure creates a steady rhythm of improvement, and the focus on hand position and bow control means students feel tangible progress in how they hold and move their instruments, not just what they can play.

Who it's for

Bass players in string classroom settings who need systematic work on fundamentals. This book serves teachers building a string program from the ground up or reinforcing technique in an established ensemble where reading levels vary.

How to get the most out of it

  • Work the intonation drills before tackling new solos; students who can hear and match pitch will navigate the melodic material with far greater confidence.
  • Isolate bow stroke exercises from note reading initially. Once bow technique is secure, add pitches to the same physical motions.
  • Use the solos as performance goals for individuals or small groups within your class; hearing peers perform builds motivation across the whole section.

How to use it

Open each rehearsal with a 5-10 minute sequence from the drills tailored to what your section needs that week. Rotate the solos throughout the year as performance opportunities for individual students, or layer them into sectionals alongside your main ensemble repertoire.

Skills your students will build

  • Proper hand position and posture at rest and in motion
  • Bow control and consistent stroke production across different string crossings
  • Intonation matching and listening in ensemble context
  • Rhythm reading and counting independence
  • Solo performance readiness in front of peers

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