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In Paradisum: SATB Choral Octavo

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In Paradisum: SATB Choral Octavo

Words from Traditional Latin, music by Jacob Narverud

Item: 00-50129

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Description
Colorful choral sonorities emerge over a steady "heartbeat" piano part in this contemporary treatment of the traditional Latin text. Composer Jacob Narverud remains faithful to the tonic scale degree throughout, creating plenty of ethereal cluster chords as the piece unfolds. A contrasting spoken section quotes a biblical verse about perseverance. Impressive in concert or contest.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081572994
SKU: 00-50129

More about this title

About the Composer: Jacob Narverud

Jacob Narverud

Jacob Narverud was born in Kansas in 1986 and has become one of the most performed contemporary choral composers in America. He founded and directs the Tallgrass Chamber Choir, a professional ensemble drawing musicians from across the Great Plains, and serves as editor at Santa Barbara Music Publishing while maintaining a roster of commissions from choral organizations across the United States, Australia, and Japan.

Narverud's compositions have achieved international reach, performed by amateur and professional choirs alike at all levels of experience. His work appears on Spotify and YouTube, and many of his titles have become catalog standards. You can explore more at jnarverud.com.

Why we love this

Narverud captures something genuinely spiritual without resorting to obvious harmonic moves or oversized gestures. The steady piano heartbeat grounding those ethereal cluster chords creates an architectural clarity that allows the Latin text to resonate, and the spoken interlude breaks the musical surface in a way that feels earned rather than gimmicky. It works equally well in a concert setting or adjudicated festival because the writing is both technically compelling and emotionally direct.

What to expect

The piece unfolds like a meditation punctuated by moments of revelation. The steady piano creates a sense of calm forward motion while the choir's colorful chords shimmer above, evoking something transcendent yet grounded. The spoken interlude breaks the otherworldly quality and returns the listener to earth before the music gently rises again.

Who it's for

Choirs looking for contemporary sacred music that respects liturgical text while embracing modern compositional language will find this piece both accessible and challenging. Intermediate to advanced ensembles can handle the harmonic density and the vocal independence required by the cluster writing.

How to get the most out of it

  • Establish the piano's pulse before the choir enters. The accompaniment is not decorative; it's the structural spine that holds the cluster chords in place. A confident, metronomic accompanist will make the choir's intonation much easier to manage.
  • Mark the cluster chord voicings clearly in rehearsal. These aren't random note selections; each chord has specific vertical placement. Singing them with precision requires understanding which voice holds which note throughout the progression.
  • Approach the spoken section with dramatic commitment. The shift from singing to speech is a calculated moment; underplaying it dilutes the contrast. Rehearse the pacing and diction so the biblical verse lands with the same weight as the surrounding music.
  • Balance the upper voices carefully during the ethereal passages. With cluster sonorities, the treble voices often carry the color; avoid letting them swim above the lower voices' harmonic foundation.

How to use it

Program this as a centerpiece of a concert devoted to contemporary sacred music, where its harmonic language will feel at home alongside other modernist approaches to the Latin tradition. It also serves as a compelling festival selection because the combination of technical writing, emotional depth, and clear structure impresses adjudicators while remaining musically honest.

Skills your students will build

  • Singing cluster chords in tune while maintaining voice independence
  • Rhythmic precision against a steady accompaniment pattern
  • Blending ethereal sonorities without losing individual voice clarity
  • Interpreting and performing spoken text within a musical context
  • Understanding contemporary harmonic language built from scalar relationships

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