In My Dreams Sheet Music Preview

In My Dreams: SAB Choral Octavo

Words and music by Sally K. Albrecht and Jay Althouse

Item: 00-PO-0000511

Digital Download
$1.75

Minimum order quantity: 20 copies

Description
The ultimate inspirational ballad for graduation and spring concerts. "In my dreams we can sing together, in my dreams I can touch the sky. In my dreams I can change the future; just watch me try, and watch me fly." Soaring melodies, stirring harmonies, totally uplifting.

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Sample Audio
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Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0000511

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over four decades. As a composer and conductor, she has built an extraordinary catalog of more than 600 choral works and 75 musicals and songbooks that continue to define school music programming. Her influence extends beyond the page: she served as Director of School Choral, Vocal, and Elementary Publications at major educational publishers, including Alfred Music, and has conducted honor choirs at landmark venues including Lincoln Center, Carnegie Hall, and The Kennedy Center. Since 1987, she has received consecutive ASCAP Special Music Awards for her contributions to choral composition.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979). She has taught at Oakland University in Michigan, Jersey City State College in New Jersey, and Meredith College in North Carolina. A native of Cleveland, Ohio, she now resides in Wake Forest, North Carolina with her husband, composer and arranger Jay Althouse. In recent years, she received the Distinguished Alumna Award from both Rollins College and the University of Miami Frost School of Music and served as Chair of the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society.

Why we love this

This ballad captures the emotional arc that graduation demands: aspiration, beauty, and forward motion all wrapped in melody that students want to sing. The text lands with genuine impact, and the soaring harmonic writing elevates SAB voicing beyond typical three-part fare. Albrecht and Althouse have timed the emotional peaks perfectly, giving you a finale that feels both celebratory and reflective.

What to expect

Soaring and hopeful, this piece unfolds like a personal pep talk set to music. The melody reaches toward something greater while the harmonies reinforce a sense of collective strength and possibility. It feels both intimate and triumphant, the kind of song that stays with singers long after the final note fades.

Who it's for

Choirs performing graduation or spring concerts where an inspirational ballad will resonate with students and audiences. SAB voicing makes it accessible for groups with developing male singers or mixed ensembles seeking literature that doesn't oversimplify three-part writing.

How to get the most out of it

  • Shape the opening phrases with subtle dynamic shaping to establish the vulnerable intimacy that makes the eventual soar land harder.
  • Balance the SAB voicing by ensuring lower voices anchor the harmonic foundation without overshadowing the soprano melody.
  • Build the climax gradually across the final section rather than hitting full volume immediately; this extends the emotional journey and lets the text breathe.
  • Use the recorded accompaniment to establish consistent pacing, particularly in slower passages where students might rush through anticipation.

How to use it

Position this as your concert closer or opening statement for a spring or graduation performance. The inspirational message and immediate vocal accessibility make it an ideal choice when you need a piece that allows the choir to shine while carrying meaningful text that connects with families and departing students.

Skills your students will build

  • Balancing SAB harmony, particularly sustaining lower voice independence in three-part texture
  • Shaping long phrases with consistent breath support and dynamic control
  • Singing with emotional commitment while maintaining vocal precision
  • Reading and performing music that sits comfortably across mixed voice types

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