In Infamy Cover Image

In Infamy: Concert Band Conductor Score & Parts

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In Infamy Cover Image

In Infamy: Concert Band Conductor Score & Parts

By Jack Wilds

Grade: 2.5

Item: 98-B1711

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Description
Commissioned to commemorate the 75th anniversary of Pearl Harbor, In Infamy is a reaction to the emotional arc of President Roosevelt’s Pearl Harbor address. A foreboding opening gives way to an intense call to action. A moving setting of America closes the work on a hopeful note. Perfect for patriotic programs and as a salute to a day that will forever live “in infamy.”

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Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
UPC: 241444379974
SKU: 98-B1711

More about this title

About the Composer: Jack Wilds

Jack Wilds

Jack Wilds brings together decades of experience as both a composer and educator, having worked with ensembles spanning from children's choirs to professional orchestras. His output ranges across chamber music performed by groups like the Attacca Quartet and members of the New York Philharmonic, to over 40 publications for developing musicians. His compositions draw from visual art, literature, philosophy, and pure musical tradition to create works that honor the ability level of performers while demanding genuine artistry from them.

Wilds served as a public school band director before joining the faculty at Texas State University, where he teaches composition, music theory, ear training, and music technology. He remains active as a clinician and adjudicator nationally and serves as Co-Director of Music at First Presbyterian Church in San Marcos. His wind band works appear regularly on festival required lists across multiple continents and have been performed at venues including the Midwest Clinic and the International Trombone Festival.

Why we love this

Wilds crafts a sophisticated emotional journey within an entirely accessible instrumentation, moving students through genuine dramatic arc rather than surface-level patriotic gestures. The piece honors the gravity of its historical subject while remaining firmly rooted in Grade 2.5 capabilities, allowing young musicians to engage meaningfully with commemorative content. Programming this teaches your ensemble that patriotic music can be thoughtful and complex.

What to expect

The opening settles over the ensemble like gathering clouds, ominous but not aggressive. When the call to action arrives, it feels earned rather than imposed, and the band rises to meet it with collective purpose. The closing hymn-like treatment of "America" provides genuine closure, offering hope without dismissing the weight of what came before.

Who it's for

Concert bands at the Grade 2.5 level performing patriotic programs, memorial services, or anniversary celebrations. Directors seeking age-appropriate literature that respects both student ability and historical significance will find substantial material here.

How to get the most out of it

  • Shape the foreboding opening with careful dynamic control; the emotional impact relies on restraint rather than early loudness.
  • Balance the shift to the "call to action" section as a genuine turning point, not simply a tempo change. Let the energy build organically through the band.
  • Bring out the melodic line of "America" in your lead voices so the setting feels like a natural hymn arrangement and not an overlay onto the band sound.
  • Conduct with clear, purposeful gestures through transitions to help younger musicians track the emotional progression you've established in rehearsal.

How to use it

Position this as a centerpiece for a concert acknowledging Pearl Harbor Day or other patriotic observances where emotional authenticity matters more than pure festivity. It pairs well with lighter patriotic selections before or after, allowing the program to balance gravity with accessibility. This is equally effective as a standalone commemorative performance or embedded within a broader concert exploring American themes.

Skills your students will build

  • Phrasing across longer melodic lines and sustaining emotional intent through sectional changes
  • Dynamic shaping to create contrast between sections without relying on fast note patterns
  • Listening to and supporting a melody-based structure where band sound serves the line rather than dominating it
  • Responding to conductor gestures that signal emotional transitions and dramatic arc

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