I Wish It Could Be Christmas Every Day Cover Image

I Wish It Could Be Christmas Every Day: Choral Octavo SoundTrax CD

$29.99 USD
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I Wish It Could Be Christmas Every Day Cover Image

I Wish It Could Be Christmas Every Day: Choral Octavo SoundTrax CD

Words and music by Roy Wood / arr. Jack Zaino

Item: 00-51248

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Description
With its irresistible groove and holiday spirit, it's no wonder that this rock song has been covered by countless artists over the decades! Choirs of all ages will appreciate the full harmonies, tasteful key changes, and woven vocal lines that welcome the season. Add the lively SoundTrax complete with sleigh bells and horns to "let the bells ring out for Christmas!"

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081582856
SKU: 00-51248

More about this title

About the Composer: Roy Wood

Roy Wood is a British rock musician and composer best known as the founder of the Electric Light Orchestra and his earlier work with The Move. His prolific songwriting career spans decades, blending rock sensibility with pop accessibility. Wood's compositions have achieved remarkable staying power in popular culture, with "I Wish It Could Be Christmas Every Day" becoming a perennial holiday standard since its 1973 release.

Why we love this

This arrangement captures everything that makes the original irresistible: infectious groove, strategic key changes, and rich harmonies that sit beautifully on the voice. Jack Zaino's treatment layers the vocal parts so every section stays engaged, while the SoundTrax delivers authentic production values (sleigh bells, horns, and all) that transform a rehearsal room into a full holiday production. Programming this gives your singers an unmistakable crowd pleaser that fills the room with genuine joy.

What to expect

Bright, buoyant, and unapologetically festive, this arrangement sparkles with the kind of pop-rock polish that made the original iconic. The full harmonies and strategic key changes create momentum that builds across the piece, while the SoundTrax delivers orchestral richness with a contemporary edge. Singing this feels like being part of a professional recording session, complete with sleigh bells and brass flourishes that elevate every rehearsal into something special.

Who it's for

Holiday programming directors building a concert that balances tradition with contemporary energy will find this essential for mid-to-advanced choirs. The arrangement welcomes singers across the voice ranges without sacrificing harmonic richness or rock authenticity. Both community and school choirs thrive with this piece; it energizes audiences and keeps singers invested through the holiday season.

How to get the most out of it

  • Balance the woven vocal lines so each part emerges clearly during the harmonically dense sections; the recorded accompaniment's full orchestration can easily obscure inner voices if blend isn't prioritized.
  • Lock the rhythm section (basses and altos) into a steady groove with the SoundTrax before layering sopranos and tenors; this rock foundation keeps the whole arrangement floating on the pocket.
  • Shape the key changes deliberately rather than sliding through them; mark the new tonal centers in rehearsal so singers consciously reset their pitch with each modulation.
  • Let the sleigh bells and horn hits in the SoundTrax drive your cutoffs and releases; choreograph your attacks and releases to match the recorded energy for seamless integration.

How to use it

Place this as a high-energy centerpiece in your holiday concert, especially if you're programming a mix of classical carols and secular pops. It works brilliantly paired with a quieter, contemplative piece before it, since the groove and production values create natural audience lift. The SoundTrax makes this ideal for benefit concerts, family-friendly holiday pops events, or as a finale that sends audiences out smiling.

Skills your students will build

  • Sustaining rhythmic precision in a rock groove while managing full four-part harmonies
  • Singing accurately through key changes and modulations
  • Blending woven vocal lines where multiple parts weave in and out of the melodic space
  • Responding dynamically to a full recorded accompaniment with orchestral textures (horns, sleigh bells, rhythm section)

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