I Wish It Could Be Christmas Every Day: SATB Choral Octavo
Words and music by Roy Wood / arr. Jack Zaino
Item: 00-PO-0007274
Minimum order quantity: 20 copies
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More about this title
About the Composer: Roy Wood
Roy Wood is a British rock musician and composer best known for his work with the Electric Light Orchestra and Move during the 1960s and 1970s. His gift for crafting infectious melodies with sophisticated harmonies made him a pivotal figure in progressive rock, and his songwriting extends across genres, including the holiday classic that has become a seasonal favorite for choirs worldwide.
Why we love this
This arrangement captures the infectious energy of the original while giving choirs real musical substance to sink their teeth into. The woven vocal lines and key changes lift what could be a simple pop tune into genuinely engaging choral writing, making it rewarding for singers without sacrificing the groove that audiences recognize and love.
What to expect
Irresistible and festive, with the swagger of rock music wrapped in holiday warmth. The interwoven vocal lines create momentum and fullness, while the arrangement respects the melody that listeners already know and love, making it feel both familiar and newly discovered.
Who it's for
Choirs of all ages looking for a piece that bridges pop/rock repertoire with genuine four-part writing. This works for high school and community choirs seeking something contemporary and seasonal that still showcases solid harmonic movement.
How to get the most out of it
- Keep the rhythm section locked and driving throughout; the groove is what sells this piece. Work the syncopation between parts so the ensemble swings rather than plods.
- Balance the key changes as dramatic moments rather than rushed transitions. Give singers a beat to find their new starting pitch so the harmonic shift lands cleanly.
- Layer the recorded accompaniment sparingly at first rehearsals so singers hear their own lines clearly, then build the full sound with sleigh bells and horns once parts are secure.
- Lean into the holiday sentiment in the middle section without losing the rock edge. This is celebratory, not sentimental.
How to use it
Place this as a crowd-pleaser on your winter concert, ideally in a set with other pops or contemporary pieces to let its rock groove breathe. It also works as a strong opener or closer for holiday performances, giving you a piece that energizes both singers and audience.
Skills your students will build
- Singing syncopated rhythms in a rock/pop idiom
- Balancing individual lines within four-part harmony
- Executing key changes smoothly and confidently
- Singing with rhythmic independence from the recorded accompaniment