I Put a Spell on You Cover Image

I Put a Spell on You: SATB Choral Octavo

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I Put a Spell on You Cover Image

I Put a Spell on You: SATB Choral Octavo

from the motion picture Hocus Pocus

Words and music by Jay Hawkins / arr. Jacob Narverud

Item: 00-48988

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Description
This bewitching bit of '90s nostalgia will charm your audience in October or on any pops program. Originally written by "Screamin'" Jay Hawkins in 1956, this song is included on Rolling Stone magazine's list of The 500 Greatest Songs of All Time. And who can forget Bette Midler's show-stopping rendition in the cult classic film Hocus Pocus? Conjure up some costumes and choreography to brew a spellbinding performance. Don't miss the incredible SoundTrax and SoundPax instrumentation. Download PartTrax MP3s for all the audio you need to rehearse and perform the SATB and SSA voicings. Each PartTrax package includes full performance, accompaniment only, and part-predominant mixes for every voice part.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081563121
SKU: 00-48988

More about this title

About the Composer: Jay Hawkins

Jay Hawkins, known as "Screamin'" Jay Hawkins, was an American R&B and rock and roll pioneer who recorded "I Put a Spell on You" in 1956. The song became one of his signature pieces and has since achieved iconic status, earning a place on Rolling Stone magazine's list of The 500 Greatest Songs of All Time. Hawkins' raw vocal delivery and the song's hypnotic arrangement established a template for rock and roll performance that influenced generations of artists across multiple genres.

Beyond this one masterpiece, Hawkins was known for his theatrical approach to performance, incorporating dramatic staging and vocal intensity that pushed the boundaries of 1950s popular music. His influence extends far beyond his era; "I Put a Spell on You" continues to be recorded and reinterpreted by artists seeking to capture its blend of menace, humor, and undeniable groove.

Why we love this

This arrangement captures the song's hypnotic groove and theatrical swagger while keeping the vocal writing accessible for SATB ensembles. The combination of Halloween appeal and genuine pop credibility means you can program it in October or anytime your audience craves something with attitude and star power. Add choreography and simple staging, and you have an instant show-stopper that singers will love performing and audiences will actually remember.

What to expect

"I Put a Spell on You" pulses with hypnotic intensity and theatrical charm. The arrangement balances playful menace with genuine groove, creating a piece that feels both spooky and undeniably fun. Singers will feel the magnetism of the song's central conceit while enjoying the accessibility of its harmonic and rhythmic language.

Who it's for

This octavo works for concert choirs, show choirs, and pop-focused ensembles looking for repertoire with immediate audience appeal. It suits both middle school and high school singers, though mature high school groups will find the most satisfying arrangement of the song's attitude and vocal demands.

How to get the most out of it

  • Lock in the rhythmic pocket early in rehearsals. This song lives in its groove, so spend time establishing a steady, confident pulse before layering in the harmonic parts.
  • Differentiate the sections dynamically. The verses should feel intimate and menacing, while the chorus opens up with full sound and presence.
  • Shape the text with personality. Avoid a generic choral sound; each voice part should deliver the lyric with character and intent, especially on the title phrase.
  • Use the PartTrax mixes strategically during rehearsal. Start with part-predominant tracks to help singers find their lines, then move to accompaniment-only mixes to build independence and ensemble blend.

How to use it

Program this as an October concert centerpiece or as a high-energy moment on a spring pops show. It pairs naturally with other classic pop standards and contemporary pop arrangements, giving your concert a cohesive, audience-friendly feel. Consider adding simple staging or costume elements to enhance the theatrical magic the music already delivers.

Skills your students will build

  • Maintaining rhythmic precision in a syncopated pop groove
  • Blending four-part harmony while preserving lyrical clarity and character
  • Interpreting text with attitude and emotional specificity in a secular pop context
  • Balancing vocal independence with ensemble cohesion in a rhythmically driven arrangement

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