I Put a Spell on You Sheet Music Preview

I Put a Spell on You: Choral SoundPax

from the motion picture Hocus Pocus

Words and music by Jay Hawkins / arr. Jacob Narverud

Item: 00-PK-0008629

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Description
This bewitching bit of '90s nostalgia will charm your audience in October or on any pops program. Originally written by "Screamin'" Jay Hawkins in 1956, this song is included on Rolling Stone magazine's list of The 500 Greatest Songs of All Time. And who can forget Bette Midler's show-stopping rendition in the cult classic film Hocus Pocus? Conjure up some costumes and choreography to brew a spellbinding performance. Don't miss the incredible SoundTrax and SoundPax instrumentation. Download PartTrax MP3s for all the audio you need to rehearse and perform the SATB and SSA voicings. Each PartTrax package includes full performance, accompaniment only, and part-predominant mixes for every voice part.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
SKU: 00-PK-0008629

More about this title

About the Composer: Jay Hawkins

Jay Hawkins, known professionally as "Screamin'" Jay Hawkins, was an American R&B and rock and roll pioneer who recorded "I Put a Spell on You" in 1956. The song became one of his signature pieces and has since achieved iconic status, earning a place on Rolling Stone magazine's list of The 500 Greatest Songs of All Time. Hawkins' raw vocal delivery and theatrical approach to performance established him as an influential figure in early rock and roll.

Beyond "I Put a Spell on You," Hawkins was known for his energetic live shows and genre-blending style that drew from blues, R&B, and rock traditions. His willingness to embrace theatricality and spectacle in performance set a precedent for rock artists to follow, and his compositions continue to be recorded and reimagined across multiple genres and generations.

Why we love this

This arrangement gives your choir access to a song that genuinely excites audiences across age groups and feels contemporary regardless of when you perform it. Jacob Narverud's SoundPax setting preserves the menacing charm of the original while remaining accessible for mixed or soprano choruses, and the included PartTrax MP3s mean your singers hear the grooves and vocal lines immediately rather than struggling through cold rehearsals.

What to expect

Mischievous and hypnotic. The arrangement wraps Hawkins' spell-casting charm in modern R&B-influenced production while keeping the vocal writing singable and fun. Expect your audience to recognize it instantly, and expect your singers to feel the swagger of performing a genuine classic.

Who it's for

Directors building October programming or seeking accessible pop choral repertoire that appeals to mixed and female voice choirs. This works equally well for concert settings, musicals, and pops shows where you need a song that's immediately recognizable and theatrically compelling.

How to get the most out of it

  • Lean into the dramatic atmosphere the accompaniment creates; encourage singers to match the intensity and commitment they hear in the full performance mix during sectional rehearsals.
  • Pay attention to rhythmic precision in the backdrop figures and speak-sing sections; these moments define the song's swagger and require tighter ensemble work than traditional hymn-style singing.
  • Use the part-predominant mixes to isolate each voice line and ensure singers hear exactly where they sit in the arrangement before pulling voices together.
  • Consider layering in simple choreography or staging that complements the mysterious character without overwhelming the vocal work; the arrangement itself carries the magic.

How to use it

Program this as a contrast piece or finale on a fall concert, or include it on a pops show where it anchors a 1950s-influenced set. It also works beautifully as a standalone Halloween performance piece for community events or school shows. The familiar melody and theatrical appeal make it an excellent bridge between traditional choral literature and contemporary pop culture.

Skills your students will build

  • Rhythmic precision in syncopated figures and syncopated ensemble singing
  • Vocal character work and expressive delivery matching a recorded style
  • Blend and balance within a more groove-oriented harmonic texture
  • Sustaining a dramatic theatrical commitment across an entire arrangement

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