I Got a Name Cover Image

I Got a Name: 2-Part Choral Octavo

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I Got a Name Cover Image

I Got a Name: 2-Part Choral Octavo

Words by Norman Gimbel, music by Charles Fox / arr. Jay Althouse

Item: 00-27203

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Description
We love the lyrics on this one; they remind us we're all special, and unique. The sentiment of this 70s pop hit is always timely, and the song has been used in several movies, including The Last American Hero and most recently in Invincible. Simple choral writing, simple accompaniment. Ideal for concerts year round, especially moving-up and graduation.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081294636
SKU: 00-27203

More about this title

About the Composer: Charles Fox

Charles Fox composed music for film and television throughout a prolific career spanning decades. His work across genres—from dramatic scores to pop songs—demonstrates versatility and an instinct for melody that connects with broad audiences. "I Got a Name," co-written with Norman Gimbel, became one of his most enduring compositions, recorded by multiple artists and featured in numerous films.

Why we love this

This arrangement captures the motivational spirit of the original without requiring vocal gymnastics or complex ensemble writing. The 70s pop sensibility feels fresh in a choral context, and the message about individual worth lands authentically with students at moving-up and graduation ceremonies. Directors appreciate how straightforward the score is to teach while the recorded accompaniment option allows flexibility in rehearsal.

What to expect

Earnest and affirming, with the warmth of a well-loved pop song that's been part of American culture for generations. The arrangement honors the original's straightforward sincerity, creating space for singers to deliver a genuine message rather than fighting through complex voicings.

Who it's for

2-part choirs working with middle or high school students, particularly those preparing for spring concerts or graduation ceremonies. Singers with limited ensemble experience benefit from the accessible writing while more experienced singers can focus on communication and emotional authenticity.

How to get the most out of it

  • Anchor the tune in the melody line; the simplicity of the harmonic writing means clarity of melody makes all the difference in connecting with the text.
  • Use the recorded accompaniment in final rehearsals to establish ensemble sound and balance before performing with a live accompanist, if applicable.
  • Shape phrases around the lyrical content rather than mechanical phrasing; let the message breathe naturally through the singers' interpretation.

How to use it

Program this as a centerpiece for a spring concert, particularly one celebrating milestones or transitions. The uplifting message and 2-part accessibility make it ideal for mixed-ability choirs; pair it with other contemporary secular pieces to create a varied concert that speaks to modern student singers.

Skills your students will build

  • Singing in parallel harmony with clear part independence
  • Phrasing pop/contemporary music idiomatically within a choral context
  • Connecting lyrical content to vocal expression and interpretation
  • Blending ensemble sound while maintaining melodic clarity

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