Hush Cover Image

Hush: Interchangeable Woodwind Ensemble Score & Parts

$25.00 USD
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Hush Cover Image

Hush: Interchangeable Woodwind Ensemble Score & Parts

By Bill Thomas

Item: 81-WWE222200

$25.00
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Description
Hush is a simple lyrical composition by Bill Thomas in the style of a lullaby. It was inspired by the thought of that time of night when the lights are finally turned off and the house is quiet. The modest technical demands required by Hush will allow the woodwind ensemble to concentrate on the expressive components of their performance. Written for interchangeable woodwind ensemble.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-921-8
ISBN13: 978-1-77157-921-6
UPC: 685462029228
SKU: 81-WWE222200
Instrumentation: Interchangeable Woodwind Ensemble

More about this title

Why we love this

Bill Thomas captures something essential about the lullaby form here: restraint. The modest technical writing means your ensemble can focus entirely on tone blending, dynamic control, and the gentle phrasing that makes this piece breathe. The flexible instrumentation removes logistical barriers, so you can perform it exactly as your ensemble shows up on rehearsal day.

What to expect

Like sitting in a dimly lit room after the day's noise has finally stopped. The piece unfolds with the gentle inevitability of drifting toward sleep, built on simple lyrical shapes that feel both familiar and intimate.

Who it's for

Woodwind ensembles at the middle to early high school level seeking accessible repertoire that rewards musicality over technical display. It works especially well for programs with flexible instrumentation or where consistent full quintet presence cannot be guaranteed.

How to get the most out of it

  • Shape phrases as a collective unit rather than highlighting individual lines. A lullaby succeeds when all voices move as one organism toward each phrase ending.
  • Establish a warm, centered sound in the lowest voice first, then build the ensemble around that foundation. Balance toward the bass gives the piece gravity without sounding heavy.
  • Let tempo breathe slightly at natural phrase boundaries. This isn't a metronomic piece; small rubato communicates the quiet, intimate quality Thomas evokes.

How to use it

Place this on a pops or family concert where gentle, approachable music creates a calming contrast to heavier works. It also serves as an excellent encore or closing piece, sending audiences out with a sense of peaceful resolution.

Skills your students will build

  • Blending tone quality across multiple woodwind colors
  • Controlling and shaping long phrase lines
  • Balancing ensemble sound when instrumentation varies
  • Responding to rubato and expressive gesture as an ensemble
  • Sustaining soft, focused dynamics without loss of resonance

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