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Home: SSA Choral Octavo

From the Musical The Wiz

As Performed by the Cast of Glee / Words and music by Charlie Smalls / arr. Andy Beck and Michael Spresser

Item: 00-PO-0007722

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$2.10

Minimum order quantity: 20 copies

Description
Kristin Chenoweth (as the character "April") performed this stunning ballad on the aptly named "Home" episode during Glee's first season. This inspiring song originally appeared in the 1975 breakthrough Broadway production of The Wiz, a retelling of Frank Baum's memorable story. Features soaring melodies and lush harmonies.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0007722

More about this title

About the Composer: Charlie Smalls

Charlie Smalls (1943-2009) composed the entire score for The Wiz, the 1975 Broadway sensation that reimagined L. Frank Baum's classic American tale through a contemporary African American lens. His gift for writing memorable melodies paired with sophisticated harmonic progressions made The Wiz an immediate cultural landmark, and the show's songs have become standards in choral and theatrical repertoires worldwide. Smalls' ability to balance accessibility with musical depth shaped how generations of singers approach contemporary musical theatre.

Why we love this

This arrangement captures everything that makes the original shine: the soaring, singable melody that sits beautifully in SSA voicing, and the emotional directness that resonates with young singers. The lush harmonies Beck and Spresser provide give your treble section a chance to blend rich sonorities while staying connected to the song's theatrical heart. Directors consistently report that students connect immediately to this piece, whether they know Glee or The Wiz, because the lyrical content speaks universally.

What to expect

Warm, aspirational, and deeply human. The melody unfolds with grace and vulnerability, inviting singers into a moment of quiet reflection before building toward moments of affirmation. There's a generosity in the harmonic writing that lets singers feel supported while their voices contribute to something larger than themselves.

Who it's for

SSA and SSAA choirs seeking contemporary repertoire with genuine theatrical substance. This works equally well for middle school treble choirs discovering musical theatre, high school select ensembles, and community or adult choirs who value singable, emotionally direct material.

How to get the most out of it

  • Shape the phrases through the arching melody rather than stopping at bar lines; think of each melodic phrase as a single breath of support even when rests appear.
  • Balance the inner parts carefully so harmonies bloom without overshadowing the top line, especially in measures where alto and second soprano provide counter-motion.
  • Use the recorded accompaniment to lock the harmonic foundation early in rehearsals, then gradually strip it back so singers internalize the chord changes independently.
  • Bring out the lyrical quality of the text; avoid a purely rhythmic or bouncy approach that undercuts the song's emotional sincerity.

How to use it

Program this alongside other contemporary choral selections from musical theatre to build a set that appeals to singers and audiences alike. It works beautifully as a concert opener that sets an intimate, hopeful tone, or as a compelling closer that leaves the audience with a sense of uplift. Consider pairing it with other spiritually-grounded repertoire or songs about belonging and finding home.

Skills your students will build

  • Sustaining legit soprano and alto lines with consistent breath support
  • Blending three-part close harmonies while maintaining individual pitch accuracy
  • Shaping phrases through dynamic contour rather than metric regularity
  • Performing contemporary musical theatre style with emotional authenticity
  • Reading and executing rhythmic syncopation typical of Broadway idiom

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