High Hopes Cover Image

High Hopes: String Orchestra Conductor Score & Parts

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High Hopes Cover Image

High Hopes: String Orchestra Conductor Score & Parts

As Performed by Panic! At the Disco

Words and music by Tayla Parx, Brendon Urie, Ilsey Juber, Jacob Sinclair, Jenny Owen Young, Jonas Jeberg, Lauren Pritchard, Sam Hollander and William Lobban Bean / arr. Mark Wood

Grade: 2-3

Item: 00-49882

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Description
This arrangement of the Panic! At the Disco hit High Hopes is perfect for strings! Very smooth, rhythmic transitions and easy playability. It is arranged for two different grade levels, so you can include more performers with different playing levels. This can be performed at two different tempos with the play-along tracks: 164 and 140. The middle section, measure 81, opens up the phrasing for a more legato flavor. Great fun to play! (3:45)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, High Hopes: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
1 High Hopes (140 BPM) --:--
2 High Hopes (Full Tempo) --:--

High Hopes (140 BPM)

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Sample Video
Additional Details
Series: Mark Wood Series
Publisher: Alfred Music
ISBN10: 1-4706-6375-9
ISBN13: 978-1-4706-6375-9
UPC: 038081580777
SKU: 00-49882

More about this title

About the Composer: Tayla Parx

Tayla Parx is a songwriter and producer who has written and co-written songs for major pop artists, bringing her distinctive melodic sensibility to mainstream radio hits. Her work spans genres and collaborators, making her a sought-after voice in contemporary songwriting across multiple musical styles.

Why we love this

Mark Wood's arrangement captures the infectious energy of this pop phenomenon while keeping the writing accessible for mixed-ability ensembles. The dual-grade format means you can program this with your full orchestra without holding anyone back, and the two tempo options let you rehearse at a manageable speed before performing at the released version's clip.

What to expect

Propulsive and uplifting, with a pop-rock swagger that translates beautifully to strings. The arrangement balances rhythmic drive with moments of lyrical breathing, creating a piece that feels energized and contemporary while remaining thoroughly playable for developing musicians.

Who it's for

String orchestras with mixed experience levels (Grades 2-3) who want to perform current, engaging music without compromising accessibility. This works equally well for community orchestras blending younger and returning players, or for schools aiming to build ensemble cohesion around contemporary repertoire.

How to get the most out of it

  • Lock in the rhythmic drive during the verses; this piece thrives on precision rather than rubato, so establish a steady pulse and maintain it through transitions.
  • Lean into the legato phrasing that opens at measure 81, allowing the middle section to breathe and contrast with the rhythmic intensity of the surrounding material.
  • Use the play-along tracks at 140 BPM for sectionals and early rehearsals, then transition to 164 BPM once parts are secure and ensemble confidence is high.
  • Balance the solo features listed in the score so they project without overshadowing the ensemble; this is a collaborative arrangement, not a feature vehicle.

How to use it

Program this as an audience engagement piece in a concert that might otherwise lean classical; it serves as an effective bridge to engage families and younger listeners while showcasing your ensemble's range. The 3:45 duration fits neatly into spring or end-of-year concerts alongside more traditional works, providing stylistic contrast without requiring multiple rehearsals to prepare.

Skills your students will build

  • Rhythmic precision in fast-moving pop-rock styles
  • Sustaining legato tone during longer melodic phrases
  • Coordination across divisi sections and ensemble balance
  • Sight-reading and playing from conductor cues across Grade 2-3 mixed parts
  • Interpreting contemporary arrangements with modern stylistic sensibility

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