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Hernando's Hideaway: SAB Choral Octavo

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Hernando's Hideaway Cover Image

Hernando's Hideaway: SAB Choral Octavo

From the Musical The Pajama Game

Words and music by Richard Adler and Jerry Ross / arr. Greg Gilpin

Item: 00-35817

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Description
Featured in the Tony-nominated Broadway hit The Pajama Game, this Latin-flavored arrangement will be easily learned by both concert and show groups. Add some choreography for a guaranteed showstopper!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081400136
SKU: 00-35817

More about this title

About the Composer: Richard Adler

Richard Adler composed the score for The Pajama Game alongside Jerry Ross, creating one of Broadway's most enduring comedies. The show earned a Tony nomination for Best Musical in 1954 and produced several standards that have since become staples of American musical theater. Adler's gift for melody and rhythmic vitality shaped a generation of musical theater writing.

Why we love this

Greg Gilpin's arrangement captures all the theatrical energy of the original without overwhelming a three-part choir. The Latin rhythm is infectious enough to carry the song, yet accessible for groups that don't specialize in contemporary pop repertoire. The built-in choreography potential makes this a natural choice for choirs who want to move beyond concert-only programming.

What to expect

Sultry and propulsive in equal measure, the piece captures the flirtation and intrigue of its original context. The Latin percussion feel combined with Broadway swing creates an atmosphere that's both seductive and playful, inviting audiences to lean forward and listen.

Who it's for

Concert choirs and show choirs alike will find this arrangement immediately singable. It works equally well for groups building confidence with contemporary repertoire and for experienced ensembles looking for a crowd-pleasing addition to a spring concert or musical revue.

How to get the most out of it

  • Lock the rhythm section (sopranos and altos on the main melody, basses anchoring the Latin groove) so the Latin feel feels inevitable rather than imposed.
  • Record a rough take of your arrangement before rehearsals begin; hearing it played through once clarifies the harmonic movement and keeps pitch centered.
  • If choreography is in your plans, block it early in the rehearsal process rather than adding it as an afterthought; movement and singing should develop together.
  • Pay attention to the recorded accompaniment's tempo and phrasing if you're using it; let the recorded track shape your ensemble's interpretation rather than fighting against it.

How to use it

Program this as a concert centerpiece rather than filler; its theatrical presence and singability make it a natural finale for a pops concert or spring show. It also pairs well with other Broadway and contemporary pop selections, anchoring a program that celebrates American musical theater.

Skills your students will build

  • Latin rhythmic phrasing and swing feel
  • Ensemble blend in contemporary pop voicings
  • Integration of choreography with choral singing
  • Interpretation of Broadway-style ornamentation and rubato

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