Here's Where I Stand Cover Image

Here's Where I Stand: Choral SoundPax

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Here's Where I Stand Cover Image

Here's Where I Stand: Choral SoundPax

From the Motion Picture Camp

Music by Michael Gore, words by Lynn Ahrens/ arr. Greg Gilpin

Item: 00-39901

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Description
This gospel-style showstopper from the movie musical Camp builds from a soulful opening to a powerful final chorus. Featuring a strong soloist and a self-affirming message, this arrangement would be stirring as a concert or graduation finale.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Here's Where I Stand: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081445625
SKU: 00-39901
Instrumentation: SoundPax

More about this title

About the Composer: Michael Gore

Michael Gore won the Academy Award for Best Original Score for the 1983 film Footloose and has built a career composing for stage and screen. His gift for writing memorable melodies that drive emotional storytelling made him a natural fit for musical theater and film soundtracks. Gore's background in both classical training and popular song structures gives his work broad appeal across educational and professional music contexts.

Why we love this

Greg Gilpin's arrangement captures the emotional arc of the original without demanding elaborate staging or soloists with operatic training. The SoundPax format gives you flexibility to perform with or without the recorded accompaniment, and the optional instrumental parts let you add strings or horns if your budget and personnel allow. The piece genuinely lands as a finale because the message of self-affirmation resonates with young singers, and the gospel vocabulary feels authentic rather than borrowed.

What to expect

The opening unfolds like a private moment of reflection, vulnerable and intimate. As voices enter and the harmony thickens, the piece builds momentum and conviction, moving from introspection to celebration. By the final chorus, the gospel vocabulary and swelling harmonies create a sense of collective empowerment that feels earned rather than imposed.

Who it's for

Choirs looking for a contemporary concert finale that works equally well at spring concerts, graduations, or year-end performances. The piece suits intermediate to advanced high school choirs and adult community ensembles who want to showcase both choral blend and a confident soloist. Directors seeking material with a positive, affirming message will find this speaks directly to their students.

How to get the most out of it

  • Invest rehearsal time in the opening section. The soulful simplicity of the beginning sets up everything that follows; rushing it or forcing it will undercut the power of the final chorus.
  • Balance the soloist carefully against the choir. The solo voice should be clear and exposed early on, then supported warmly as the ensemble grows in the closing sections.
  • Use the recorded accompaniment to lock in the groove, especially in the rhythm section feel. Gospel rhythms live in the pocket, and the track will keep your singers honest about placement and swing.
  • Shape the final chorus dynamically. Resist the urge to go full volume immediately; let the sound build phrase by phrase so the last statement carries the weight of everything that came before.

How to use it

Save this for a closing slot where it can breathe and make an impact. The emotional stakes and self-affirming message make it an ideal closer for a graduation or senior night concert. Pair it with other contemporary choral selections to create a second half that feels relevant and connected to your singers' lives.

Skills your students will build

  • Gospel vocal production and contemporary phrasing
  • Balancing solo and ensemble textures
  • Sustaining energy through dynamic arch and phrase shaping
  • Rhythmic precision in swung and syncopated figures
  • Blend and balance across changing voicings

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