Haven't Met You Yet: SAB Choral Octavo

Alan Billingsley's arrangement captures Bublé's signature warmth and harmonic sophistication while remaining thoroughly singable for SAB choirs. The contemporary pop idiom gives students music they recognize and enjoy learning, and the accessible three-part voicing opens this material to developing ensembles without sacrificing musical substance.

The arrangement radiates genuine optimism and warmth. Bublé's conversational lyric about connection finds its musical equivalent in smooth, interweaving harmonies that feel intimate even when sung by a full choir. The contemporary groove and sophisticated chord changes create a sophisticated pop sound that sits comfortably between jazz sensibility and radio-friendly accessibility.

SAB choirs with intermediate reading skills will find this arrangement musically engaging and accessible. The contemporary pop setting appeals to singers who connect with modern music while the harmonic writing provides genuine learning opportunities. Directors looking for secular concert repertoire that energizes audiences will find this a reliable audience favorite.

• Balance the soprano and alto lines carefully in the verses to let the melody float naturally while the lower voices support with rich harmonies.
• Lean into the rhythmic swing feel that gives this arrangement its contemporary character; avoid making it too stiff or formally classical.
• Use the recorded accompaniment to establish the groove and harmonic foundation, then pull back gradually in rehearsal so the choir can internalize the style independently.
• Shape phrases with the natural speech rhythm of the lyrics rather than metering everything strictly; Bublé's phrasing favors expressive flexibility.

This arrangement works beautifully as a concert opener or closer that shifts the mood toward contemporary music and lifts audience energy. Pair it with other pop or secular arrangements to establish a cohesive modern section, or use it as a bridge piece that brings younger singers and less traditional audiences into the concert experience.

• Singing in contemporary pop style with rhythmic flexibility rather than strict metric precision
• Balancing independent melodic lines within a homophonic texture
• Reading and sustaining three-part SAB voicing
• Following harmonic movement and chord changes typical of modern songwriting
• Ensemble blend and intonation within jazz-influenced harmonic structures