Haven't Met You Yet: Choral Octavo SoundTrax CD

Alan Billingsley's arrangement captures the infectious energy and sophisticated pop-jazz harmonies of the original without sacrificing singability for young singers. The recorded accompaniment lets you hear exactly how the voicing should sit, making rehearsals efficient and giving singers confidence in their parts. This is contemporary repertoire that feels current to audiences while giving choirs genuine musical satisfaction.

Upbeat and charming, with a conversational lyric that unfolds over lightly swinging jazz harmonies. The arrangement sparkles without overwhelming singers, offering enough harmonic interest to keep musicians engaged while remaining accessible to listeners unfamiliar with choral music.

Choirs seeking contemporary repertoire that connects with current students and audiences without sacrificing musical substance. This octavo works for high school choirs and more advanced middle school groups who can handle jazz harmonies and want to sing music that feels relevant to their lives.

• Establish a secure groove by listening to the recorded accompaniment multiple times before rehearsing. The rhythmic pocket matters as much as the pitches.
• Pay attention to the jazz-influenced chord extensions in the harmony parts. These won't always resolve the way singers expect, so marking them in rehearsal prevents intonation drift.
• Bring out the melodic contour and conversational quality of the text. This song works because it feels genuine, not polished.
• Use the recorded accompaniment as a reference tool during section rehearsals, but don't let singers become dependent on it. Build independence by practicing with piano or a cappella as you prepare.

Pair this with other contemporary pop or jazz selections for a concert that appeals to families who might not otherwise attend a choral event. It works especially well as a showstopper mid-program or as a finale that leaves audiences smiling. The recorded accompaniment also makes it a strong choice for festivals or competitions where sound quality needs to be immediate and professional.

• Singing in a contemporary jazz-influenced harmonic idiom with extended chords
• Maintaining rhythmic precision in syncopated, groove-based music
• Balancing melody and harmony parts in a texture where both layers carry musical weight
• Interpreting text with conversational inflection rather than legit choral phrasing