Haven't Met You Yet Cover Image

Haven't Met You Yet: SATB Choral Octavo

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Haven't Met You Yet Cover Image

Haven't Met You Yet: SATB Choral Octavo

Words and music by Michael Bublé, Alan Chang, and Amy Foster / arr. Alan Billingsley

Item: 00-34701

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Description
Here's the first single released from Canadian jazz singer Michael Bublé's album Crazy Love. His upbeat contemporary sound and harmonies translate wonderfully in this choral setting. This title is available in Music Prodigy.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Haven't Met You Yet: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081361291
SKU: 00-34701

More about this title

About the Composer: Michael Bublé

Michael Bublé is a Canadian jazz and pop vocalist born in 1975 whose interpretive approach to standards and contemporary songs has made him one of the best-selling artists of the 21st century. His ability to craft melodically engaging arrangements that balance sophistication with accessibility translates directly into choral repertoire that singers find both vocally rewarding and audience-pleasing.

Bublé's compositions and collaborative work demonstrate a keen ear for harmonic color and rhythmic vitality. His influence on popular music education extends through arrangements like this one, which show how contemporary commercial music can be adapted for ensemble singing without losing its character or charm.

Why we love this

Alan Billingsley's arrangement captures the infectious energy and sophisticated harmonic movement that made this single a commercial success while keeping the voicing accessible for high school and community choirs. The pop idiom gives your singers music they actually want to sing, and the contemporary sound opens programming possibilities beyond traditional concert fare.

What to expect

Optimistic and rhythmically buoyant. The harmonies are warm and jazzy without being overly complex, creating an inviting sound that feels modern yet singable. The arrangement celebrates the earworm quality of the original melody while adding harmonic depth through the four-part voicing.

Who it's for

High school and community choirs looking for contemporary repertoire that engages singers and audiences alike. This piece works for groups with solid musicianship who are comfortable with pop stylizations and want material beyond traditional show tunes.

How to get the most out of it

  • Anchor the groove with your rhythm section. The contemporary pop feel depends on crisp articulation and consistent pocket, so rehearse your bass line and any percussion parts early and often.
  • Treat the sustained harmonies in the chorus with care. These chords are lush and can blur if singers don't maintain clear vowel focus and support the line through longer phrases.
  • Keep diction punchy and forward in the verse. The text moves quickly in places, and clear consonants will help the upbeat character shine without sacrificing musicality.
  • Balance the solo moments (if any feature parts exist) with the full ensemble sections so neither overwhelms the other.

How to use it

Program this as an accessible entry into contemporary pop arranging, pairing it with either lighter pop repertoire or strategic placement alongside a more traditional set to refresh the evening's energy. It's particularly effective on spring or pops concerts where you want to showcase your singers' versatility and appeal to families attending primarily for familiar music.

Skills your students will build

  • Stylistic interpretation of contemporary pop idioms
  • Rhythmic precision in syncopated passages
  • Balancing jazz-influenced harmonic movement with clear diction
  • Sustained tone production in lush chord progressions

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