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Hand Drumming Essentials: Drum Book & CD

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Hand Drumming Essentials Cover Image

Hand Drumming Essentials: Drum Book & CD

The Instruments, Techniques, and Compositions for Ensemble Performance

By C. A. Grosso

Item: 00-20869

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Description
Hand Drumming Essentials is unlike any book you've seen! This innovative new approach provides all the information you need to begin and maintain your own hand drumming ensemble. The book includes an introduction to hand drumming; instruments of the hand drumming ensemble (including conga, bongos and timbales, and exotic world percussion instruments such as agogo, axatse, caxixi and toke); performance techniques; rehearsal techniques; the development of hand drumming technique; and compositions for performance.

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Additional Details
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-7390-3282-8
ISBN13: 978-0-7390-3282-4
UPC: 038081218847
SKU: 00-20869

More about this title

About the Author: C. A. Grosso

C. A. Grosso

C. A. Grosso joined the music faculty at the University of Wisconsin-Green Bay in 1985, where she has developed a distinguished career in percussion education. She holds a Doctor of Musical Arts in Percussion Performance and Pedagogy from the University of Iowa and a Master of Fine Arts in Percussion Performance from the California Institute of the Arts.

Grosso's approach to hand drumming draws from deep study with master percussionists across multiple traditions. Her work with western percussion mentors including John Bergamo and Thomas L. Davis is complemented by her study of non-western traditions with artists such as Pandit Taranath Rao, Alfred and Kobla Ladzekpo, Sowah Mensah, and K. R. T. Wasitodiningrat. This combined foundation informs how she teaches ensemble playing and cross-cultural percussion pedagogy.

Why we love this

Grosso brings both scholarly rigor and practical ensemble experience to hand drumming instruction. The book moves beyond isolated technique to build functioning ensembles, and the included CD gives students immediate aural models for the world percussion sounds they're learning. Few resources bridge the gap between hand drumming fundamentals and actual performance this effectively.

What to expect

Hand drumming produces an immediate, tactile musicality; these are instruments that respond directly to hand and finger. Working through this book, you'll discover how rhythm patterns accumulate and interact, building layered grooves that feel both infectious and grounded in their cultural roots.

Who it's for

This book serves percussion students and teachers who want to build a functioning hand drumming ensemble from the ground up. It's equally valuable for band and orchestra directors who want to expand their percussion offerings or add world percussion textures to existing programs.

How to get the most out of it

  • Spend time with the CD recordings before ensemble rehearsal begins; use them to internalize the tonal qualities and ensemble textures you're building toward.
  • Work through the technique section individually first, even if you plan to perform in ensemble; hand drumming depends on solid foundational control at the instrument.
  • Start with simplified versions of the compositions and gradually add layers and complexity as the ensemble develops comfort with their parts.
  • Establish clear communication about grip, striking surface, and muting within your ensemble early so that tonal blend happens faster.

How to use it

Use this as a year-long ensemble building project in percussion class, or launch a focused hand drumming unit in the weeks before a concert that features world music programming. The compositions work well alongside contemporary classical repertoire that incorporates non-Western percussion, creating programming that reflects global musical perspectives.

Skills your students will build

  • Hand position and striking technique on conga, bongos, and timbales
  • Tone production and muting techniques across hand drumming instruments
  • Performance of layered ensemble rhythms and polyrhythmic patterns
  • Understanding of agogo, axatse, caxixi, toke, and other world percussion instruments
  • Ensemble communication and listening in non-pitched percussion contexts
  • Reading and executing hand drumming notation and compositions

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