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Good News! (A Christmas Spiritual): TTBB, <I>a cappella</I> Choral Octavo

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Good News! (A Christmas Spiritual) Cover Image

Good News! (A Christmas Spiritual): TTBB, a cappella Choral Octavo

Music by Jay Althouse

Item: 00-20095

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New for TTBB! One of the best in a long line of exuberant, original, a cappella Christmas spirituals by Jay Althouse. It opens with an energetic melody sung by the low voice with the upper three voices singing in counterpoint above. Rhythmic energy develops the piece and it ends with an electrifyimg eight measure coda that's the pinnacle of excitement. No solos, no tempo changes make for quick learning. In the classic spiritual tradition, yet fresh and contemporary.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Good News! (A Christmas Spiritual): TTBB, a cappella Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081186597
SKU: 00-20095

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he received the Distinguished Alumni award. His career spans both publishing administration (including a term on the Executive Board of the Music Publishers Association of America) and prolific composition; he has over 800 choral works in print performed worldwide and is a regular ASCAP Special Award recipient.

Beyond composition, Althouse has co-written children's musicals and choral resources with his wife, Sally K. Albrecht, edited vocal solo collections, and authored or co-authored classroom materials including The Complete Choral Warm-up Book, Accent on Composers, and Ready to Read Music. He has served on boards for the North Carolina Master Chorale and the Folk Art Society of America, and is perhaps best known for co-writing I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 inauguration.

Why we love this

Althouse understands what makes a Christmas spiritual work for men's voices: energetic lines that sit naturally in lower ranges, straightforward part-writing that rehearses efficiently, and genuine excitement that doesn't rely on solos or tempo manipulation. The eight-measure coda is the kind of payoff that sends audiences out remembering what they heard.

What to expect

Exuberant and grounded, with a swagger born from the spiritual tradition. The piece builds from an energetic opening through rhythmic momentum, arriving at a thrilling final statement that feels both earned and celebratory.

Who it's for

TTBB choirs seeking repertoire that honors the spiritual tradition while feeling fresh and contemporary. Groups with limited rehearsal time will appreciate the straightforward structure, lack of solos, and absence of tempo changes that make for quick, confident preparation.

How to get the most out of it

  • Emphasize the rhythmic drive from the opening. The low voice melody should sit confidently in its range while the three upper voices maintain their counterpoint clarity; think of the rhythm as the through-line that binds all four parts.
  • Balance the voices so the energy builds naturally through the piece rather than forcing volume. The classic spiritual sound comes from each voice singing with warmth and intention, not from pushing.
  • Shape the eight-measure coda as a unified climax. Bring all voices together with precision on the rhythmic figures; this is where the piece makes its statement.

How to use it

Program this as the main event in a Christmas concert or as a strong closer that sends audiences out in high spirits. It pairs well with slower, more reverent spirituals or carols, providing the arc of excitement a concert needs without requiring a large ensemble or instrumental accompaniment.

Skills your students will build

  • Singing counterpoint across four voices while maintaining rhythmic cohesion
  • Blending voices in the lower register without sacrificing clarity
  • Building momentum through rhythmic precision rather than tempo change
  • Performing in the spiritual tradition with authenticity and contemporary energy

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