Good Kings Marching! Cover Image

Good Kings Marching!: String Orchestra Conductor Score & Parts

$40.00 USD
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Good Kings Marching! Cover Image

Good Kings Marching!: String Orchestra Conductor Score & Parts

Arranged by Deborah Baker Monday

Grade: 1

Item: 98-ST6406

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Description
This new setting of Good King Wenceslas will be a welcome addition to any holiday concert. Students get into that action as they march while playing, and all sections take turns playing the melody. Students and teachers will be merrily surprised at how easily this selection comes together. Happy marching!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Good Kings Marching!: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: FJH Beginning Strings
Publisher: The FJH Music Company, Inc.
UPC: 241444366240
SKU: 98-ST6406

More about this title

About the Arranger: Deborah Baker Monday

Deborah Baker Monday

Deborah Baker Monday spent 25 years leading the award-winning Logan City orchestra program before moving into guest conducting, clinician work, and teaching supervision. She earned her B.M.E. from Florida State University with a focus on string education, followed by an M.M. in composition from the University of Alabama, where she performed as a bassist with regional orchestras. She continued her studies at Louisiana State University under James Yestadt and studied composition with Harold Schiffman, John Boda, Frederic Goossen, Paul Hedwall, and Dinos Constantinides.

After joining the Logan City School District as a low string specialist, Monday became deeply invested in writing and arranging for young string orchestras, producing more than 130 works published across seven companies. She has won the UtahASTA Composition Competition twice, received awards for Outstanding Elementary Educator and Superior Accomplishment in music education, and presented her work at state conferences nationwide, The Midwest Clinic, and the Ohio State String Teachers Workshop. She continues to work as a clinician, conductor, and adjudicator.

Why we love this

Monday has stripped away the complexity that often makes holiday arrangements feel rushed or unmanageable at Grade 1. The rotating melody sections keep every student engaged without creating bottlenecks, and the built-in movement element transforms a standard carol into something students will remember and enjoy.

What to expect

Good King Wenceslas takes on a processional quality here, with the carol's steady pulse naturally suited to forward motion. The arrangement has a lighthearted, confident energy that encourages students to play and move together with genuine musicality rather than mechanical precision.

Who it's for

String orchestras at the earliest stages of reading and ensemble playing will find this accessible and rewarding. Beginning string players benefit from the straightforward writing and the chance to experience success with a recognizable holiday tune.

How to get the most out of it

  • Rehearse the marching pattern separately before adding instruments. Anchor it with a steady count or drum tick so the walking motion becomes second nature.
  • Balance the melody sections by having each group practice their entry independently first. This prevents the natural tendency for one section to overshadow the others.
  • Use the conductor score to monitor who is playing when, especially during the section exchanges. Clear hand signals help students anticipate their entries without stopping.
  • Keep the tempo moderate so younger players can manage both marching and bowing cleanly. A slower walk creates confidence and clarity.

How to use it

This works beautifully as an opening number for a holiday concert, setting a warm and inclusive tone before shifting to more complex selections. The performance element of marching also creates a memorable moment for families watching, making it a natural choice for an audience-friendly context.

Skills your students will build

  • Reading whole and half notes in a simple melodic context
  • Entering and exiting together as a section
  • Coordinating rhythmic stability with physical movement
  • Listening to other sections play the melody and adjusting balance accordingly
  • Maintaining consistent bow control during sustained playing

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