Good Kings Marching! Cover Image

Good Kings Marching!: String Orchestra Conductor Score

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Good Kings Marching! Cover Image

Good Kings Marching!: String Orchestra Conductor Score

Arranged by Deborah Baker Monday

Grade: 1

Item: 98-ST6406S

$5.00
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Description
This new setting of Good King Wenceslas will be a welcome addition to any holiday concert. Students get into that action as they march while playing, and all sections take turns playing the melody. Students and teachers will be merrily surprised at how easily this selection comes together. Happy marching!

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Additional Details
Series: FJH Beginning Strings
Publisher: The FJH Music Company, Inc.
UPC: 241444580226
SKU: 98-ST6406S

More about this title

About the Arranger: Deborah Baker Monday

Deborah Baker Monday

Deborah Baker Monday spent 25 years leading the Logan City orchestra program, which earned recognition as an award-winning ensemble. She continues to mentor the next generation through guest conducting, clinical work, and supervision roles. Her formal training includes a B.M.E. from Florida State University with a focus on string education, an M.M. in composition from the University of Alabama, and advanced studies at Louisiana State University under James Yestadt. Along the way, she performed as principal bassist with both the Meridian and Tupelo symphony orchestras.

Monday's compositional voice developed under the guidance of Harold Schiffman, John Boda, Frederic Goossen, Paul Hedwall, and Dinos Constantinides. She has published over 130 works across seven publishing companies, with particular expertise in writing for developing string orchestras. Her contributions to music education have earned her the UtahASTA Composition Competition victories in 2006 and 2011, as well as state recognition for outstanding teaching and superior accomplishment. She remains active as a clinician, adjudicator, and commissioned composer, drawing on her deep experience in both performance and pedagogy.

Why we love this

Monday takes a beloved holiday standard and crafts something designed for genuine ensemble building rather than passive performance. The alternating melody sections create natural leadership opportunities across your orchestra, and the marching component adds kinetic energy that young players remember long after rehearsals end.

What to expect

There's genuine lightness here, free from the sentimentality that sometimes weighs down holiday arrangements. The marching component transforms what could be a static performance into something tactile and celebratory, inviting the audience to feel the orchestra's collective energy and joy.

Who it's for

Young string orchestras at the beginning of their journey, typically grades 1-2 players who are still building fundamental ensemble skills. This works equally well for elementary school concerts or as a winter break opener for secondary programs seeking an accessible holiday piece.

How to get the most out of it

  • Establish a steady, processional tempo during the opening rehearsals and maintain it consistently; young players often rush during march-like passages when they feel the rhythmic momentum building.
  • Coordinate the marching pattern with sectional leaders before full ensemble rehearsals so violins, violas, and cellos can each support their section's confidence while moving.
  • Bring out the melody clearly in whichever section is featured by adjusting the accompaniment dynamics slightly lower; this prevents the supporting parts from obscuring the tune.

How to use it

Use this as your opening number in a holiday concert to establish an upbeat mood and showcase how accessible your young ensemble has become. Pair it with one or two other grade 1 pieces to give early-year ensembles meaningful stage time without overextending the program.

Skills your students will build

  • Maintaining ensemble tempo while moving and playing simultaneously
  • Trading the melody between string sections and listening to one another during transitions
  • Balancing rhythmic clarity in accompanying figures beneath featured melodic lines
  • Reading simple double-stop notation or divisi sections if present in individual parts

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