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Goin' on a Sleigh Ride: 3-Part Mixed Choral Octavo

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Goin' on a Sleigh Ride Cover Image

Goin' on a Sleigh Ride: 3-Part Mixed Choral Octavo

Jingle Bells / Over the River

Arr. Sally K. Albrecht

Item: 00-20152

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Description
Hear the "clip, clop" of horses hooves and the sparkle of sleigh bells in this vivacious pairing of two winter-time favorites: Jingle Bells and Over the River with hints of Up On The Housetop thrown in for fun). After an opening fanfare, we hear a sprightly 4/4 arrangement of Over the River, a repeat of the fanfare, then bouncy Jingle Bells before building to a final fanfare. Sally Albrecht's vocal arrangement works wonderfully with the straightforward band arrangement by John O'Reilly. The perfect choice for your holiday concerts.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Goin' on a Sleigh Ride: 3-Part Mixed Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081187167
SKU: 00-20152

More about this title

About the Arranger: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped choral music education for over thirty years as a composer, arranger, and clinician with deep expertise in choral movement and vocal pedagogy. Her prolific output includes more than 600 published choral works and 75 larger-scale musicals and songbooks; she has also received the ASCAP Special Music Award annually since 1987 and conducted honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center. She served as Director of School Choral, Vocal, and Elementary Publications at Alfred Music and has taught at Oakland University, Jersey City State College, and Meredith College.

A graduate of Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), Albrecht has received the Distinguished Alumna Award from both institutions. She chaired the Board of Trustees for Omicron Delta Kappa National Leadership Honor Society and earned their "Pillar of Leadership" award. She resides in North Carolina with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht's gift for accessible yet musically satisfying arrangements shines in this medley, which pairs two beloved melodies with strategic fanfare moments that give your singers clear structural landmarks and performance confidence. The straightforward 4/4 framework means less rehearsal time spent on meter negotiation and more time on intonation, blend, and the joy of singing something your audience will instantly recognize. This piece rewards singers with immediate musical payoff while maintaining the straightforward part-writing that makes SAB voicing work best.

What to expect

A spirited romp through winter nostalgia, complete with the shimmer of sleigh bells and the rhythmic clip-clop of horses' hooves, delivered with playful energy and genuine warmth. The arrangement captures the brightness of both melodies while the fanfare bookends give the whole piece architectural shape and celebratory punch, making it feel substantial and polished rather than simply assembled.

Who it's for

Middle school and high school choirs performing seasonal concerts, as well as treble or mixed choirs at the community or church level who need a festive, approachable arrangement that requires minimal rehearsal investment. This piece works particularly well for singers with limited experience in part-singing, since the SAB voicing and straightforward harmonic language build confidence without compromising musicality.

How to get the most out of it

  • Establish crisp rhythmic clarity in the opening fanfare; its precision sets the energy for everything that follows and signals to your singers that this is a rousing, spirited arrangement.
  • Shape the repeat of the fanfare section with slightly more dynamic lift the second time, building momentum toward Jingle Bells and preparing listeners for the pivot between medley movements.
  • Balance the middle voice in measures where SAB parts move in parallel motion; the alto line often carries harmonic resonance that defines tuning and blend.
  • Use the recorded accompaniment to lock rhythmic precision during early rehearsals, especially in the transition passages between Over the River and the Jingle Bells section.

How to use it

Program this as an opening number or second selection on a winter concert to establish an immediate connection with your audience through instantly recognizable material while showcasing your choir's ability to balance multiple melodic lines. It also pairs naturally with other holiday arrangements at similar difficulty levels, allowing you to program an entire concert segment with choral pieces that maintain consistent technical demands while varying mood and arrangement style.

Skills your students will build

  • Blending three distinct voice parts in parallel and independent motion
  • Maintaining steady rhythm and pulse through tempo changes and textural shifts
  • Shaping phrase lines while singing familiar melodies in harmonic context
  • Responding to clear structural signposts (fanfares, repeats, sectional transitions)
  • Balancing melody, harmony, and accompaniment awareness across a medley arrangement

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