Go Ye Into All the World Cover Image

Go Ye Into All the World: 3-Part Mixed Choral Octavo

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Go Ye Into All the World Cover Image

Go Ye Into All the World: 3-Part Mixed Choral Octavo

Words and music by Sally K. Albrecht

Item: 00-39789

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Description
Your choirs will delight in performing this majestic and rhythmic song of joy. Echoes and a contrasting counterpoint "Sing Jubilate Deo" section make it easy to assemble. Download free parts for trumpet and snare drum at alfred.com/choralparts.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Go Ye Into All the World: 3-Part Mixed Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081444505
SKU: 00-39789

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades as a composer, conductor, and educator. An ASCAP award recipient since 1987, she has published more than 600 choral works and 75 larger musicals, establishing herself as a trusted voice in school and community music. Her conducting has been featured at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, where she has led honor choirs and festivals nationwide.

Albrecht's career reflects deep roots in both music and the arts. She earned degrees from Rollins College (B.A., 1976) and the University of Miami (M.A. in Drama, M.M. in Accompanying), and spent more than 30 years directing school choral and vocal publications for major educational publishers. She has taught at Oakland University, Jersey City State College, and Meredith College. A Cleveland native, Albrecht is recognized for her distinctive approach to choral movement and accessibility. She received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College in 2021, and currently resides in Wake Forest, North Carolina.

Why we love this

Albrecht's gift for creating music that sounds bigger and more sophisticated than the voicing suggests keeps singers engaged and audiences impressed. The interplay between echoes and the contrasting "Sing Jubilate Deo" section gives SAB choirs real structural interest to explore, while the optional brass and percussion parts lift the arrangement into something truly festive without requiring instrumental forces.

What to expect

Majestic yet approachable, this piece captures the energy of a call to mission through rhythmic momentum and layered textures. The echoing passages create a sense of voices calling across space, while the jubilate section breaks open with brightness and affirmation.

Who it's for

SAB choirs and mixed ensembles at the intermediate level who want sacred music with real textural interest and room to grow. Directors seeking pieces that feel joyful and accessible while still offering musical substance for developing singers will find strong material here.

How to get the most out of it

  • Balance the echoes carefully so they read as distinct responses rather than muddying the original line; mark these sections in your score and rehearse them in isolation first.
  • Shape the "Sing Jubilate Deo" counterpoint section with clear articulation and a lighter, more jubilant tone than the main material to create genuine contrast.
  • If you add the optional trumpet and snare drum parts, rehearse the choir without them first so voices establish their independence before adding instrumental color.
  • Let the rhythmic energy drive forward naturally; resist the urge to push tempo, which often happens when choirs feel the celebratory nature of the text.

How to use it

Program this as a strong closer for a worship service or sacred concert, where its message of going out into the world lands with natural resonance. The optional instrumentation also makes it ideal for combined choir performances where you want to involve your instrumental ensemble in a choral-centered program.

Skills your students will build

  • Singing counterpoint against a primary melodic line
  • Executing clear rhythmic precision in an energetic tempo
  • Balancing echo effects for musical clarity
  • Blending independent voice parts while maintaining textural awareness

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