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Gloria Tibi: Choral Octavo SoundTrax CD

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Gloria Tibi Cover Image

Gloria Tibi: Choral Octavo SoundTrax CD

Words and music by Mary Donnelly and George L. O. Strid

Item: 00-27083

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Description
The light pop beat is a nice addition to this setting of a traditional Latin text. Neither voicing is difficult to put together, and both are fun to sing. Includes some English text in the middle and a joyful descant at the end. Appropriate year-round.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081262918
SKU: 00-27083

More about this title

About the Composer: Mary Donnelly

Mary Donnelly

Mary Donnelly grew up in Reno, Nevada, and earned a Bachelor of Arts in English and French from the University of Nevada, Reno. During her undergraduate years, she organized two children's choruses, an experience that redirected her toward music education. She pursued a Master's Degree in Education from Lesley College in Cambridge, Massachusetts, where she studied arts integration across the curriculum.

Donnelly spent three decades teaching general music and choir in the Washoe County School District, retiring as an active educator and member of ACDA, NEA, and ASCAP. In 1985, while team-teaching sixth grade music, she met George Strid, and their principal challenged them to compose a musical for Reading Week. That first collaboration, The Million Dollar Mystery, launched a prolific partnership that has produced over two hundred songs and twenty-five musicals across their shared career.

Why we love this

The pairing of a traditional Latin text with an accessible pop groove creates immediate engagement without sacrificing musical integrity. Both voicings sit comfortably for mixed ensembles, and the addition of English text in the middle plus a jubilant descant finale gives directors flexible options for layering and texture. This is the kind of piece that students actually look forward to singing.

What to expect

Joyful and approachable. The pop beat creates a modern, energetic foundation that lifts the solemn beauty of the Latin text, while the switch to English text and the ascending descant finale build genuine celebration. This is music that sounds confident and alive in the moment.

Who it's for

This octavo works for mixed choirs of any skill level seeking repertoire that feels contemporary and fun without being frivolous. It suits both sacred concert programming and worship settings, making it versatile for school and church directors. The accessible voicing and recorded accompaniment mean even smaller ensembles can execute it successfully.

How to get the most out of it

  • Balance the vocal parts carefully during the pop sections so the groove drives forward without any voice drowning out the others; the recorded accompaniment will help establish the pocket.
  • Bring out the English text with clear articulation and slight emphasis so the shift from Latin feels deliberate and celebratory.
  • Assign the descant strategically: soloists, a section, or the whole soprano line can all work depending on your ensemble's strength and the musical effect you want.
  • Keep the energy consistent even in softer moments; the light pop aesthetic works best when the piece never drags.

How to use it

Program this as a spring concert closer or holiday season offering year-round, since the versatile character adapts to different liturgical contexts. Its moderate difficulty and short, impactful form also make it ideal for opening a concert with warmth, or embedding it in a sacred choral suite alongside heavier or more contemplative works for structural balance.

Skills your students will build

  • Blending pop rhythmic vocabulary with sacred text interpretation
  • Reading and executing descant lines independently within ensemble texture
  • Navigating language code-switching (Latin to English) in a single piece
  • Ensemble balance in contemporary harmonic settings with rhythmic accompaniment

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