Gloria Tibi: 2-Part Choral Octavo

Donnelly and Strid have built a reputation for understanding what actually works with young singers, and this setting proves it. The pop-influenced rhythm energizes a sacred text without losing its reverence, while the two-part writing sits comfortably on voices without requiring extensive rehearsal time. That descant in the final section gives singers a moment of lift and joy, transforming the ending into something genuinely celebratory.

Contemporary and inviting without being cutesy. The light pop beat gives the piece forward momentum and energy, while the Latin text anchors it in something genuinely prayerful. Singers feel the fun of the rhythm and the satisfaction of blending two independent lines.

Middle school and upper elementary choirs looking for accessible sacred music that doesn't sound dated. It works equally well for non-auditioned ensembles and small chamber choirs that want something fun to perform alongside traditional repertoire.

• Keep the pop rhythm crisp and even across both parts; ensemble unison is crucial in the English section to prevent the transition from feeling choppy.
• The descant works best when the upper singers lock into the groove rather than floating above it. Treat it as a rhythmic addition, not an ornament.
• Recorded accompaniment allows you to rehearse independently and build confidence before full ensemble run-throughs.

Pair this with a traditional a cappella motet to show different approaches to sacred text, or program it as a concert closer when you want to send audiences out smiling. The year-round appropriateness means it fits spring concerts, holiday services, or end-of-year celebrations without strain.

• Two-part harmonic independence and blend
• Rhythmic precision in contemporary pop styles
• Code-switching between Latin and English text
• Descant reading and confidence with higher vocal lines
• Ensemble listening and balance across contrasting sections