Ghostbusters (from <i>Ghostbusters</i>) Cover Image

Ghostbusters (from <i>Ghostbusters</i>): Concert Band Conductor Score

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Ghostbusters (from <i>Ghostbusters</i>) Cover Image

Ghostbusters (from Ghostbusters): Concert Band Conductor Score

Words and music by Ray Parker, Jr. / arr. Michael Story

Grade: 1 (Very Easy)

Item: 00-44898S

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Description
From the blockbuster movie franchise, it's always time to bust some ghosts at Halloween or any time of the year. Utilizing introductory accidentals, a dal segno with a coda, and the flexibility required to play and perform the vocals, there's plenty of teaching in this infectious tune. The familiarity of this tune is a quick fit for every beginning band and the vocals punctuate the energy. Who ya gonna call? (2:00)

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Additional Details
Series: Pop Beginning Band
Publisher: Alfred Music
Page Count: 12
ISBN10: 1-4706-5262-5
ISBN13: 978-1-4706-5262-3
UPC: 038081515700
SKU: 00-44898S

More about this title

About the Composer: Ray Parker, Jr.

Ray Parker, Jr. is an American songwriter and musician best known for composing the iconic theme song for the 1984 film Ghostbusters. His work in film and television has shaped popular music across multiple decades, blending accessible melodies with infectious grooves that appeal to mass audiences.

Parker's ability to craft memorable, singable tunes has made his music a staple in educational settings. The Ghostbusters theme demonstrates why his compositions translate so effectively to student ensembles: the melodies are clear, the rhythms are propulsive, and the overall structure rewards both rehearsal and performance.

Why we love this

Michael Story's arrangement captures the spirit of the original without overwhelming beginning players. The Grade 1 difficulty paired with deliberate teaching moments (introductory accidentals, dal segno with coda) means students gain real musicianship while playing something they genuinely recognize and enjoy. Your band will sound energized from measure one.

What to expect

Infectious energy with immediate appeal. The moment your band locks into the groove, the room becomes charged; this isn't cerebral music, it's celebratory. The vocal line cuts through with personality, and the arrangement lets the original's pop sensibility shine through without losing the discipline of band music.

Who it's for

This arrangement is ideal for beginning concert bands looking for repertoire that builds fundamentals while maintaining genuine enthusiasm. Students at any age respond to music they know, and the Grade 1 difficulty means every section can contribute meaningfully without feeling like a simplified throwaway.

How to get the most out of it

  • Keep the accompaniment rhythms tight and consistent throughout. The groove depends on steady pulse from your rhythm section, which gives soloists the freedom to deliver the famous vocal line with attitude.
  • Balance the sung passages carefully. The vocals should feel like a featured moment, not buried by the band. Consider having multiple singers to share the load across performances.
  • Shape phrases with dynamic contrast rather than constant forte. The infectious nature of this tune comes partly from the interplay between energetic tutti sections and slightly pulled-back moments that let the melody breathe.
  • Mark the dal segno and coda clearly in all parts and conduct them deliberately during rehearsals. With a Grade 1 band, this form can trip up attention; make it a learning point, not a stumbling block.

How to use it

Perfect for Halloween concerts or fall festivals where you want a moment of pure audience connection. It also works beautifully as a closer at winter or spring concerts when you want students and listeners to leave smiling. Program it after a more serious work to reset the room's energy.

Skills your students will build

  • Reading and performing with introductory accidentals
  • Understanding and executing dal segno (D.S.) and coda structures
  • Balancing ensemble sound when vocals are featured
  • Maintaining steady rhythmic groove in popular music style
  • Coordinating with soloists while supporting them as an accompaniment

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