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Genesis: Concert Band Conductor Score & Parts

$75.00 USD
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Genesis Cover Image

Genesis: Concert Band Conductor Score & Parts

By Vince Gassi

Grade: 4.5 (Medium to Medium Advanced)

Item: 00-32540

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Description
Genesis provides ample opportunity for your band to explore diverse colors and textures, from the mysterious opening which features solo piccolo, to exotic woodwind runs in open fifths; from a delicate lyrical section to a furious dialogue between winds, brass, and percussion. There is plenty of energy and excitement in this work to captivate your audiences. A brilliant new work from the pen of Vince Gassi.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Genesis: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Symphonic Band
Publisher: Alfred Music
Page Count: 264
UPC: 038081388748
SKU: 00-32540

More about this title

About the Composer: Vince Gassi

Vince Gassi

Vince Gassi has been composing for Alfred Music since 2006 and brings decades of classroom experience to every score he writes. A fixture on the international concert and contest circuit, his 100+ published works consistently strike that difficult balance between genuine musical substance and genuine student engagement. He holds degrees from the University of Western Ontario and completed his Ph.D. at York University, with additional training in composition and arranging at the Dick Grove School of Music in Los Angeles.

For 25 years, Gassi has taught instrumental music at the elementary and secondary levels, a background that shapes his approach to every commission. He conducts clinics and adjudicates throughout North America while leading workshops on creative pedagogy and digital workflows for music directors. His pieces appear regularly at the Midwest Clinic and have been performed across North America, Europe, and Japan.

Why we love this

Genesis stands out for its genuine orchestrational sophistication without sacrificing accessibility. The piece moves through distinctly different soundworlds, solo piccolo mystery, open-fifth woodwind colors, intimate lyricism, and full-ensemble dialogue, giving your band concrete musical territory to claim rather than generic "medium-advanced" repertoire.

What to expect

Genesis unfolds like a journey from something intimate and strange into collective power. The mysterious piccolo opening draws listeners in before the sound world expands into unusual harmonic territory; later, when the full band enters genuine argument and energy, it feels earned because you've traveled together to get there.

Who it's for

Bands at the 4.5 level with solid section fundamentals and the maturity to sustain different moods across a work. This works well for groups preparing for festival competition or concert programming when you want something contemporary that actually demands musicianship, not just facility.

How to get the most out of it

  • Balance the opening solo piccolo line carefully; this is the piece's identity, so let it cut without forcing. The surrounding band provides just enough texture to support, not compete.
  • Treat the exotic woodwind runs in open fifths as a textural exploration, not a technical showcase. Lock the ensemble into those sustained harmonic intervals so the fast passages sit inside them rather than float on top.
  • Shape the lyrical section with real breath and phrasing; after the ear-catching opening, this is where you build listener investment before the final energy returns.

How to use it

Program this as the centerpiece of a concert that otherwise leans classical or traditional; it provides the contemporary anchor without sounding out of place. It also makes an excellent choice for festival competition if your adjudication list favors pieces with clear structural identity and compositional craft.

Skills your students will build

  • Sustaining ensemble blend across non-traditional harmonic structures (open fifths)
  • Managing dynamic control in exposed solo passages with accompaniment underneath
  • Responding to rapid textural and harmonic shifts within a single work
  • Balance and independence within full-ensemble dialogue sections
  • Interpretation of contemporary concert music without programmatic guidance

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