Future Sounds: Drumset Book

Garibaldi distills years of professional funk and jazz experience into teachable concepts rather than generic patterns. The structure around the Two Sound Level concept and linear thinking gives drummers a genuine framework for generating their own ideas instead of memorizing riffs. Thirty-two studies provide the working material to actually internalize these approaches.

Garibaldi's approach feels methodical and expansive at once. You're learning principles that unlock dozens of grooves rather than memorizing individual fills, and the progression from concept to study to application has the feeling of genuine development.

Drummers seeking to move beyond standard rock and funk patterns will find sophisticated harmonic and rhythmic concepts here. This book rewards players with serious practice habits and curiosity about how their heroes actually think through drumming problems.

• Work through the Two Sound Level concept slowly before attempting the groove studies. Understanding how Garibaldi organizes sounds across the kit is foundational; rushing into grooves without that context misses the method's strength.
• Apply the Four-Bar Patterns to tunes you already know. The goal is integrating these rhythmic ideas into your vocabulary, not treating them as isolated exercises.
• Study the Permutation Studies in sequence. Each one builds on analytical skills that make the next more intuitive.
• Record yourself playing the groove studies at various tempos. Hearing how the linear concepts sit against a backbeat reveals what's genuinely locked versus what just looks right on the page.

Assign sections to drummers working toward jazz combos or funk ensembles where individualized playing matters as much as timekeeping. The studies work equally well as summer practice material for serious percussion students or as a foundation course in contemporary drumset language for students entering college-level programs.

• Linear drumming concept and application
• Two Sound Level coordination between hands and feet
• Four-bar rhythmic phrasing and pattern development
• Funk and fusion groove construction
• Reading and interpreting permutation-based exercises
• Building personal vocabulary rather than copying specific licks