Funny Girl Highlights Cover Image

Funny Girl Highlights: SSA Choral Octavo

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Funny Girl Highlights Cover Image

Funny Girl Highlights: SSA Choral Octavo

I'm the Greatest Star * People * Don't Rain on My Parade

Words by Bob Merrill, music by Jule Styne / arr. Lisa DeSpain

Item: 00-50296

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Description
Hello, gorgeous! Fans of Lea Michelle rejoiced when the Glee star joined the first-ever Broadway revival of this Streisand star vehicle, which introduced the showbiz score to a whole new generation. Lisa DeSpain's pizzazy arrangement includes three beloved songs in just four minutes.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081574660
SKU: 00-50296

More about this title

About the Composer: Jule Styne

Jule Styne (1905-1975) was a prolific composer whose theatrical work defined mid-century American musical theater. His gift for crafting memorable melodies and orchestrations that drove character and comedy made him a trusted collaborator with some of Broadway's sharpest lyricists, including Bob Merrill on Funny Girl.

Styne's music bridged classical training and popular sensibility. His scores shaped the sound of the Golden Age while remaining enduringly singable, which is why his work remains central to choral repertoire decades after its premiere.

Why we love this

DeSpain's arrangement packs three showstopping moments into a brisk four minutes without sacrificing the juice or sophistication of Styne's melodies. The SSA voicing sits comfortably for a range of choirs while the comedic energy of the material keeps rehearsals lively and performances genuinely fun to watch.

What to expect

Bright, sassy, and unapologetically theatrical. The arrangement captures the theatrical exuberance of the original score while keeping the focus on ensemble singing. There's real sparkle here, and audiences will recognize the melodies instantly.

Who it's for

Choirs seeking a high-energy opener or closer that connects with audiences who know the music from recent Broadway or media exposure. This arrangement works equally well for show choirs, community ensembles, and high school programs looking for Broadway material that doesn't demand a full pit or soloists.

How to get the most out of it

  • Nail the comedic timing between sections. These three songs move quickly, so clarity of diction matters enormously; rushing through the lyrics will flatten the humor.
  • Balance brightness in the upper voices with enough weight in the lower line to anchor the harmony, especially in moments where SSA splits into fuller voicing.
  • Use the recorded accompaniment as a rehearsal tool early on, but encourage singers to listen actively for how their line sits within the arrangement before leaning on it for security.
  • Lean into the character of each song. The tone shifts from one piece to the next, so your choir should feel the personality change rather than delivering all three in the same energy.

How to use it

Pair this with other contemporary musical theater selections to anchor a Broadway-focused concert, or use it as an energetic contrast piece in a mixed-genre program. The four-minute runtime makes it ideal for filling a concert slot or serving as a memorable closer that leaves audiences smiling.

Skills your students will build

  • Singing with clear diction at tempo in a contemporary musical theater style
  • Balancing multiple simultaneous melodies in SSA texture
  • Responding to comedic phrasing and character shifts within a medley format
  • Ensemble blend and balance across four minutes of continuous musicality

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