Frankly Speaking: SA Choral Book

Beale captures the elegance and sophistication of these Sinatra classics while keeping the vocal writing singable and straightforward for SA voices. The piano accompaniments provide authentic harmonic support without overwhelming young singers, letting the familiar melodies shine through.

Sophisticated yet approachable. These arrangements honor the suave, intimate quality of Sinatra's interpretations while remaining accessible to developing singers. There's a warmth and musicality that invites singers into the storytelling of each song.

This collection suits SA choirs looking to program recognizable, crowd-pleasing material that also teaches solid vocal technique and jazz-influenced phrasing. It works well for ensembles ranging from middle school to community choir level, where singers appreciate music they already know and audiences connect with timeless standards.

• Lean into the lyrical quality of the vocal line; these arrangements invite singers to focus on legit phrasing and breath control rather than percussive articulation.
• Balance the soprano and alto parts so each melody and counter-melody remains audible, especially in "I've Got You Under My Skin" where the harmony thickens.
• Work with your pianist to shape the accompaniment idiomatically; these songs live in a jazz-inflected harmonic world, so rhythmic flexibility and expressive rubato feel natural.
• Build familiarity with the original Sinatra recordings before rehearsals; singers who know the tune's rhythmic swing and phrasing will respond more authentically to the arrangement.

Program this collection on a concert celebrating American popular song or as part of a show tune medley. The three selections offer variety in tempo and character, making them effective as standalone pieces or bookended together for an entire set. Consider performing them late in the program where their polished, familiar nature provides a satisfying send-off.

• Legit vocal tone production and sustained phrasing in jazz-influenced harmonic contexts
• Ensemble balance between soprano and alto parts with independent counter-melodies
• Rhythmic flexibility and expressive interpretation of swing-era phrasing
• Sight-reading of jazz-inflected harmony and altered chords (seventh chords, ii-V progressions)
• Performance confidence with repertoire that connects to pop culture and familiar standards