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Frankly Speaking: SAB Choral Book

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Frankly Speaking Cover Image

Frankly Speaking: SAB Choral Book

By Charles Beale

Item: 12-0571526292

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Description
Frank Sinatra was a showbiz legend - famous not just for singing but also for acting, appearing in over 50 films, winning an Academy Award for his portrayal of Maggio in From Here to Eternity. This collection represents three of his most popular and iconic hits.

I've Got You Under My Skin was written by Cole Porter. It became a signature song for Sinatra and was one of the most requested songs at his concerts. The Lady Is a Tramp has become a stand-alone classic for many, not least Sinatra. Recorded in 1979, Sinatra's version of the Theme from New York, New York became one of his most popular closers.

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Sample Pages

Sample Audio
1 I ve got you under my skin --:--
2 The lady is a tramp --:--
3 Theme from New York New York --:--

I ve got you under my skin

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Sample Video
Additional Details
Series: Faber Edition: Choral Basics
Publisher: Faber Music
ISBN10: 0-571-52629-2
ISBN13: 978-0-571-52629-1
UPC: 9780571526291
SKU: 12-0571526292
Instrumentation: with Piano

More about this title

About the Composer: Charles Beale

Charles Beale is a composer and arranger known for making standard repertoire accessible to community and educational choirs. His arrangements prioritize singability and clarity while honoring the distinctive character of the original material.

Why we love this

These three Sinatra standards arrive in genuinely singable SAB voicings that preserve the suave sophistication of the originals without requiring advanced vocal technique. The piano accompaniments support the melody clearly while keeping the arrangements straightforward enough for groups building confidence with American songbook repertoire.

What to expect

Smooth, swinging, and sophisticated. These songs capture the urbane confidence of Sinatra's era: the romantic yearning of "I've Got You Under My Skin," the witty defiance of "The Lady Is a Tramp," and the nostalgia and hope wrapped up in the "New York, New York" finale.

Who it's for

SAB choirs at the community or high school level who want to tackle recognizable American standards without the vocal demands of SATB voicing. Directors looking to program accessible, audience-friendly music that doesn't sacrifice musicality or charm.

How to get the most out of it

  • Shape the phrasing around the lyrics rather than the bar lines; these songs were written for natural speech rhythms and benefit from breathing at phrase endpoints rather than rests written in the score.
  • Let the piano part breathe as a genuine accompaniment, not a rhythmic metronome; Sinatra's interpretations were conversational and slightly rubato, and your choir will sound more stylish if the accompanist follows the singers' natural timing.
  • Balance the upper two voices in SAB writing so neither dominates; the strength of these arrangements lies in blend, not soloistic display across individual parts.

How to use it

Perfect for a spring pops concert or end-of-year celebration where your audience expects familiar melodies and genuine entertainment. These three pieces can anchor a set of American songbook standards, or stand alone as a tightly focused program that showcases your choir's stylistic range beyond classical choral literature.

Skills your students will build

  • Singing jazz-influenced phrasing and swing rhythms
  • Balancing ensemble sound across three distinct vocal lines
  • Interpreting lyrical text with conversational phrasing
  • Coordinating with a piano accompaniment that requires some interpretive flexibility

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