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Forgotten Dreams for Piano and Orchestra: Full Orchestra Conductor Score & Parts

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Forgotten Dreams for Piano and Orchestra Cover Image

Forgotten Dreams for Piano and Orchestra: Full Orchestra Conductor Score & Parts

By Leroy Anderson

Item: 36-A604290

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Description
First published and recorded in 1954 (only included at the time on the album "A Leroy Anderson ‘Pops' Concert"), this lovely piano instrumental was released as a UK single in 1957 and hit the charts in early summer.  Decca then issued the track on 45 in the U.S. which enjoyed a moderate success.  Anderson later recorded stereo version of Forgotten Dreams in 1959. The composition features a haunting, romantic melody and its performance is within the reach of most late-intermediate pianists. Written in D major, it contains expressive tempo variations, an animated B section, and arpeggiated chords which require a bit of stretching. Instrumentation: Piano Solo: 2.2.2.2: Saxes(AAT, opt): 4.3.3.0: Bells: Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Leroy Anderson Orchestra Series
Publisher: Keiser Productions, Inc.
UPC: 654690665539
SKU: 36-A604290
Instrumentation: Piano Solo: 2.2.2.2: Saxes(AAT, opt): 4.3.3.0: Bells: Str (9-8-7-6-5 in set)

More about this title

About the Composer: Leroy Anderson

Leroy Anderson (1908-1975) was an American composer and conductor who became synonymous with American light orchestral music and pop concert repertoire. His gift for crafting accessible, tuneful pieces that appealed to both concert audiences and radio listeners made him one of the most performed composers of the mid-twentieth century. Anderson's works were frequently recorded and broadcast, bringing orchestral music to millions who might not have attended traditional classical concerts.

Beyond composition, Anderson was a skilled orchestrator who understood instrumental color and balance intimately. His arrangements and original works for orchestra remain staples of pops concerts, school orchestras, and community ensembles because they combine genuine musical craftsmanship with writing that sits comfortably under most musicians' hands.

Why we love this

Forgotten Dreams proves that a simple, memorable melody paired with intelligent orchestration can captivate an audience just as powerfully as more ambitious repertoire. The piano part is genuinely musical without becoming virtuosic, and the orchestral accompaniment provides lush harmonic support that students can hear and feel. Programming this fills a real gap for conductors seeking quality pops concert material that also serves as solid pedagogical repertoire for intermediate orchestras.

What to expect

Forgotten Dreams unfolds as an intimate conversation between soloist and orchestra, tender yet assured. The haunting D major melody draws listeners into a wistful, nostalgic soundscape that shifts into lighter, more playful territory in the middle before returning to its gentle repose. The piece feels both timeless and unmistakably rooted in the golden age of American light music.

Who it's for

This work suits orchestra directors seeking repertoire that showcases a strong intermediate-level pianist within an ensemble context. It works equally well in pops concerts, educational settings, and community orchestras where musicians appreciate material that sounds polished without demanding years of specialized technique.

How to get the most out of it

  • Balance the piano melody against the orchestral texture so the keyboard part remains the clear focus; the supporting sections should enhance without overwhelming.
  • Shape the romantic melody with subtle rubato during the A section, allowing the piano and conductor to breathe together through the phrase arches.
  • Articulate the animated B section with crisp, clear attacks; the rhythmic drive in the middle provides essential contrast to the lyrical framing sections.
  • Use the optional saxophones strategically to warm the harmonies in key moments without muddying the orchestral blend.

How to use it

This work shines as the centerpiece of a pops concert or as a sophisticated contrast within a mixed program of heavier orchestral works. Its moderate length and accessible character make it an excellent vehicle for featuring an accomplished student pianist while keeping the entire orchestra engaged and showcasing ensemble balance. The optional saxophone parts allow flexibility depending on your available instrumentation.

Skills your students will build

  • Ensemble balance between solo and accompaniment voices
  • Shaping lyrical phrases with expressive tempo variation
  • Reading and executing arpeggiated chord patterns requiring hand extension
  • Navigating the contrast between romantic, rubato-inflected sections and rhythmically precise, animated passages
  • Responding to orchestral texture and adjusting volume and character to maintain solo clarity

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