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Forgotten Dreams for Piano and Orchestra: Full Orchestra Conductor Score

$6.00 USD
$6.00 USD
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Forgotten Dreams for Piano and Orchestra Cover Image
Forgotten Dreams for Piano and Orchestra: Full Orchestra Conductor Score

Forgotten Dreams for Piano and Orchestra: Full Orchestra Conductor Score

By Leroy Anderson

Item: 36-A604201
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Description
First published and recorded in 1954 (only included at the time on the album "A Leroy Anderson ‘Pops' Concert"), this lovely piano instrumental was released as a UK single in 1957 and hit the charts in early summer.  Decca then issued the track on 45 in the U.S. which enjoyed a moderate success.  Anderson later recorded stereo version of Forgotten Dreams in 1959. The composition features a haunting, romantic melody and its performance is within the reach of most late-intermediate pianists. Written in D major, it contains expressive tempo variations, an animated B section, and arpeggiated chords which require a bit of stretching. Instrumentation: Piano Solo: 2.2.2.2: Saxes(AAT, opt): 4.3.3.0: Bells: Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Leroy Anderson Orchestra Series
Publisher: Keiser Productions, Inc.
ISBN10: 1-58106-881-6
ISBN13: 978-1-58106-881-8
UPC: 654690665447
SKU: 36-A604201
Instrumentation: Piano Solo: 2.2.2.2: Saxes(AAT, opt): 4.3.3.0: Bells: Str (9-8-7-6-5 in set)

More about this title

About the Composer: Leroy Anderson

Leroy Anderson (1908-1975) was an American composer and conductor who mastered the art of accessible, tuneful orchestral music for popular audiences. His gift for memorable melody and sophisticated orchestration made him a fixture of mid-century American concert life, and his works remain staples of pops concerts and light classical programming worldwide. Anderson's facility with both symphonic form and commercial appeal gave him rare versatility; he composed for ballet, film, and Broadway while maintaining a prolific output of concert pieces that orchestras of all levels continue to program with enthusiasm.

Why we love this

Forgotten Dreams sits at the heart of Anderson's idiom: a piece that sounds substantial and romantic without demanding virtuosity from either soloists or section players. The orchestration is transparent and superbly balanced, giving every section clear lines to follow while the piano carries the emotional weight. For pops series programming, it offers genuine musical substance and period charm that audiences recognize immediately.

What to expect

A dreamy reverie with underlying sophistication. The main theme unfolds with genuine romantic warmth, enhanced by Anderson's gift for orchestral color. The animated middle section provides welcome contrast before the music settles back into its nostalgic, wistful character.

Who it's for

Orchestra directors programming pops concerts, light classics series, or mixed orchestral repertoire who need a showpiece that accommodates a strong piano soloist. The orchestral parts sit comfortably within reach of late-intermediate ensembles, and the piece appeals broadly to audiences familiar with Anderson's style.

How to get the most out of it

  • Balance the piano melody so it projects over the orchestral accompaniment without drowning out the string counterlines; Anderson's scoring rewards a conductor who hears all the layers.
  • Shape the expressive tempo variations as organic phrasing rather than sudden shifts; the rubato should feel natural and conversational.
  • Bring out the contrast between the B section's animated energy and the main theme's lyrical character by adjusting the overall dynamic palette and articulation style between sections.
  • Ensure the saxophones (optional) blend smoothly with the reeds if used; if omitted, the brass and woodwind balance remains effective without them.

How to use it

Position this as a featured solo piece within a larger pops concert, or pair it with other Anderson compositions to create a thematic block celebrating his enduring popularity. Its moderate length and approachable orchestration make it ideal for concerts that mix classical repertoire with accessible light music.

Skills your students will build

  • Balancing solo instrument projection with orchestral accompaniment
  • Executing expressive tempo flexibility while maintaining ensemble cohesion
  • Playing arpeggiated figures with consistent voicing and tone across registers
  • Reading and performing within the romantic idiom of mid-century American concert music

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