For the Trumpet Shall Sound: 2-Part / SSA Choral Octavo
Words and music by Sally K. Albrecht
Item: 00-PO-0000744
Minimum order quantity: 20 copies
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About the Composer: Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over four decades as a composer, conductor, and clinician with particular expertise in movement-integrated choral work. Since 1987, she has received the ASCAP Special Music Award annually and maintains more than 600 published choral works alongside 75 larger musicals and songbooks. Her conducting has led honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and she served as Director of School Choral, Vocal, and Elementary Publications for Alfred Music and another major educational publisher.
Educated at Rollins College (B.A., 1976) and the University of Miami (M.A. in Drama, 1979; M.M. in Accompanying, 1979), Albrecht has taught at Oakland University, Jersey City State College, and Meredith College. A native of Cleveland, she has been recognized with the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She resides in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.
Why we love this
Albrecht's gift for constructing clarity without sacrificing impact shines here. The echo format she uses becomes a teaching tool that lets singers internalize the melody while parts stay accessible, and that opening fanfare immediately signals to an audience that something memorable is unfolding. This piece earns its place in festivals and adjudicated events because it sounds prepared and polished even with modest rehearsal time.
What to expect
A declaration of faith delivered with genuine grandeur. The majestic opening stakes high emotional ground, and the echo technique creates an almost liturgical quality as voices answer one another across the texture. There's warmth and conviction throughout, supported by harmonic language that feels both accessible and moving.
Who it's for
Directors working with developing choirs who need a piece that sounds substantial without requiring advanced musicianship. The 2-Part/SSA voicing fits evolving ensembles, middle school choirs, and smaller high school programs, while the sacred text makes it equally at home in worship settings and concert halls.
How to get the most out of it
- Let the fanfare breathe. The opening gesture sets the entire emotional tone, so resist the urge to rush through it; give each note its full weight and allow the harmonic movement to register with your singers and listeners.
- Emphasize the echo exchanges between sections. Since the format relies on repetition with variation, clarity in the exchanges keeps the architecture transparent and makes the piece feel purposeful rather than repetitive.
- Use the recorded accompaniment to lock the harmonic foundation early in rehearsal, freeing your singers to focus on entering cues and maintaining phrase shape without worrying about pitch security.
How to use it
Program this as a concert opener or closer; its fanfare-driven architecture and confident energy command attention at either end of a program. It works beautifully in mixed-repertoire holiday or spring concerts, and its accessibility makes it a strong choice for festivals and competitive events where you want your choir's preparation and artistry to shine with minimal technical barriers.
Skills your students will build
- Interpreting echo and call-and-response textures with consistent phrasing across alternating sections
- Responding to harmonic progression within SSA and 2-Part voicing structures
- Building confidence with fanfare-style rhythmic precision and dramatic phrasing
- Reading and executing music written for flexible voicing that accommodates different choir sizes and skill levels