For the Beauty of the Earth Cover Image

For the Beauty of the Earth: SSAB Choral Octavo

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For the Beauty of the Earth Cover Image

For the Beauty of the Earth: SSAB Choral Octavo

Words by Folliott S. Pierpoint, music by Greg Gilpin

Item: 00-46978

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Description
Over 100 years after his death, this beloved text from Folliott S. Pierpoint lives on in a gorgeous new choral setting. Greg Gilpin's artistry and skill shine through as each voice part takes a turn with the long legato melody and warm harmonies envelop the ear. An optional flute obbligato is available free online.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, For the Beauty of the Earth: SSAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081536279
SKU: 00-46978

More about this title

About the Composer: Greg Gilpin

Greg Gilpin

Greg Gilpin has established himself as a prolific choral composer and conductor whose work is performed across prestigious venues from Carnegie Hall and Lincoln Center to the Sydney Opera House and Royal Festival Hall. An ASCAP award-winning musician, he serves as Director of Educational Choral Publications for Shawnee Press and brings decades of experience conducting and arranging choral literature at the highest levels.

Beyond the concert hall, Gilpin has expanded his creative reach into film scoring, earning Best Score recognition for the short film "Rosie's Rescue" in 2021. He holds membership in ACDA, NAfME, and Phi Mu Alpha Sinfonia, and remains active as both a composer and educator committed to advancing choral music.

Why we love this

Gilpin respects the timeless poetry of Pierpoint's text while giving it fresh musical life. Each voice part receives meaningful melodic moments rather than serving harmonic filler, and the warm, accessible voicing works beautifully for mixed choirs without compromising musical substance. The optional flute obbligato adds dimension without becoming a requirement, making this piece adaptable to your ensemble's resources.

What to expect

The piece wraps you in warmth and gentle contemplation. Long legato lines move gracefully through the voicing, creating an unhurried expression of gratitude that feels both timeless and intimately personal. The harmonies are rich without becoming dense, leaving space for the prayer-like quality of Pierpoint's beloved words to breathe.

Who it's for

This octavo works for treble-dominant mixed or upper-voice choirs seeking a reverent yet singable addition to their sacred repertoire. It fits directors programming concert or festival settings where a text-forward, emotionally accessible piece will resonate with both performers and audiences.

How to get the most out of it

  • Balance the soprano and alto line trades carefully during melodic passages so the text remains intelligible and the melody flows naturally across the voices.
  • Shape the longer phrases with subtle dynamic shaping rather than letting them plateau; the warm harmonies benefit from gentle swell and release.
  • If you include the flute obbligato, ensure it sits above the choir texture without overwhelming the vocal blend, particularly in the quieter sections.
  • Pay attention to the legato writing in the bass and tenor parts; they anchor the harmonic foundation and need clear vowel consistency across sustained notes.

How to use it

This pairs naturally with other sacred selections in a concert setting, or stands effectively as a closing benediction-style piece. Its moderate difficulty and general appeal make it ideal for festivals where you want to program something substantial yet approachable, and its 12-page length keeps rehearsal demands reasonable while delivering genuine musical reward.

Skills your students will build

  • Sustaining long legato lines while maintaining clear vowel production
  • Balancing shared melodic material across multiple voice parts
  • Singing sustained harmonies with blend and intonation in close voice leading
  • Interpreting poetic text with musical sensitivity and phrasing

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