Folk Songs for Solo Singers, Vol. 1 Cover Image

Folk Songs for Solo Singers, Vol. 1: Medium Low Voice Book

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Folk Songs for Solo Singers, Vol. 1 Cover Image

Folk Songs for Solo Singers, Vol. 1: Medium Low Voice Book

11 Folk Songs Arranged for Solo Voice and Piano for Recitals, Concerts, and Contests

Ed. Jay Althouse

Item: 00-4953

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Selected for contests and adjudications around the country, this incredible volume includes 11 favorite folk songs expertly crafted for solo voice and piano. Arranged by Alfred Music's finest writers, such as Philip Kern, Jay Althouse, Don Besig, Ruth Elaine Schram, and Carl Strommen. Titles: Amazing Grace * Danny Boy * 'Liza Jane * Greensleeves * Farewell, Lad (Adéu, Donzellet) * To the Sky * Scarborough Fair * She's Like the Swallow * Angels Through the Night (All Through the Night/All Night, All Day) * Homeward Bound * 'Cross the Wide Missouri. This title is available in MakeMusic Cloud. A Federation Festivals 2020-2024 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Folk Songs for Solo Singers, Vol. 1: Medium Low Voice Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
Page Count: 64
ISBN10: 0-88284-875-5
ISBN13: 978-0-88284-875-4
UPC: 038081024691
SKU: 00-4953

More about this title

About the Creator

Alfred Music's arranging team brings decades of choral and vocal writing expertise to this collection. Philip Kern, Jay Althouse, Don Besig, Ruth Elaine Schram, and Carl Strommen have shaped the sound of American music education through their careful attention to voice leading, accompaniment craft, and the particular demands of solo performance.

Each arranger approached these folk songs with respect for their origins while creating vehicles that sit comfortably in the medium-low voice range. Their combined experience with festival adjudication and contest standards informs every harmonic choice and textural decision in this volume.

Why we love this

Festival adjudicators have vetted these arrangements over multiple seasons, meaning your students are singing material that consistently earns recognition. The arranger lineup reads like a masterclass in vocal writing, and you can hear their individual sensibilities at work across the 11 selections, keeping the collection from feeling generic or repetitive.

What to expect

These arrangements honor the directness of folk tradition while offering sophisticated harmonic support. Each song breathes with accessibility but reveals deeper character work and accompaniment craft when studied closely, rewarding both the singer learning it and the audience hearing it.

Who it's for

Solo singers preparing for contests, auditions, or recitals who need repertoire that sits naturally in the medium-low range. Teachers building festival repertoire lists will find tested selections that adjudicators recognize and respect.

How to get the most out of it

  • Balance the text clarity against the piano accompaniment. These arrangements support the voice without drowning it, but that balance lives in how you shape phrase beginnings and endings.
  • Treat the dynamic markings as emotional signposts rather than absolute volumes. The dynamic arch that works in a concert hall differs from what works in a smaller competition space.
  • Explore the national origins and story behind each song before your student memorizes it. A baritone singing 'Danny Boy' connects differently to the text when the Irish context is real, not generic.

How to use it

Scatter individual selections across a recital to provide tonal and textural variety, or cluster three to four arrangements thematically for a cohesive group. These work equally well as opening statements that establish connection with an audience or as contrasting lighter moments between heavier art song.

Skills your students will build

  • Phrasing across varied phrase lengths and melodic contours
  • Text projection in English and other languages (French, Spanish implied in selections)
  • Sustaining focus in medium tempos typical of folk song arrangements
  • Coordinate with piano accompanists who have distinct textural roles in each arrangement
  • Stylistic flexibility across American, British, and European folk traditions

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