Folk Songs for Solo Singers, Vol. 1 Cover Image

Folk Songs for Solo Singers, Vol. 1: Medium High Voice Book & CD

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Folk Songs for Solo Singers, Vol. 1 Cover Image

Folk Songs for Solo Singers, Vol. 1: Medium High Voice Book & CD

11 Folk Songs Arranged for Solo Voice and Piano for Recitals, Concerts, and Contests

Ed. Jay Althouse

Item: 00-16632

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Description
Selected for contests and adjudications around the country, this incredible volume includes 11 favorite folk songs expertly crafted for solo voice and piano. Arranged by Alfred Music's finest writers, such as Philip Kern, Jay Althouse, Don Besig, Ruth Elaine Schram, and Carl Strommen. The CD includes a piano accompaniment track for each song. Titles: Amazing Grace * Danny Boy * 'Liza Jane * Greensleeves * Farewell, Lad (Adéu, Donzellet) * To the Sky * Scarborough Fair * She's Like the Swallow * Angels Through the Night (All Through the Night/All Night, All Day) * Homeward Bound * 'Cross the Wide Missouri. This title is available in MakeMusic Cloud

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
Page Count: 64
ISBN10: 0-88284-874-7
ISBN13: 978-0-88284-874-7
UPC: 038081147314
SKU: 00-16632

More about this title

Why we love this

This collection draws from a roster of arrangers whose instincts for vocal writing are impeccable. The 11 selections have proven themselves in festival circuits, which means you're working with material that adjudicators and audiences consistently recognize and respect.

What to expect

These arrangements honor the essential character of each folk song while offering harmonic sophistication and pianistic engagement that elevates them beyond simple accompaniment. You'll find material that feels both grounded and refined, familiar yet fresh.

Who it's for

Solo singers preparing for contests, recitals, or auditions who need reliable arrangements of well-known folk material. Voice students and private voice instructors looking for accompanied repertoire that balances accessibility with artistic depth.

How to get the most out of it

  • Study the recorded accompaniment before rehearsal so you can hear how each arrangement interprets the melody and phrasing
  • Work through the piano part to understand harmonic support and breathing points that might differ from traditional versions
  • Pay attention to the range and tessitura of this medium high voicing; it sits comfortably for many singers but may need slight transposition for others in your studio or ensemble

How to use it

Build a recital around these pieces, either as a complete folk-focused concert or interspersed within a more varied program. The variety of national origins and moods makes it easy to create thematic groupings or contrast different song styles within a single performance.

Skills your students will build

  • Interpreting folk melody with stylistic authenticity
  • Singing with piano accompaniment across diverse harmonic settings
  • Building stamina and consistency across a full-length recital repertoire
  • Understanding period-appropriate phrasing and ornamentation in traditional music

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