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Folk Songs for Solo Singers, Vol. 1: High Voice Book & Online Audio

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Folk Songs for Solo Singers, Vol. 1 Cover Image

Folk Songs for Solo Singers, Vol. 1: High Voice Book & Online Audio

11 Folk Songs Arranged for Solo Voice and Piano... For Recitals, Concerts, and Contests

Ed. Jay Althouse

Item: 00-21838

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Description
Selected for contests and adjudications around the country, this incredible volume includes 11 favorite folk songs expertly crafted for solo voice and piano. Arranged by Alfred Music's finest writers, such as Philip Kern, Jay Althouse, Don Besig, Ruth Elaine Schram, and Carl Strommen. The recording includes a piano accompaniment track for each song. Titles: Amazing Grace * Danny Boy * 'Liza Jane * Greensleeves * Farewell, Lad (Adéu, Donzellet) * To the Sky * Scarborough Fair * She's Like the Swallow * Angels Through the Night (All Through the Night/All Night, All Day) * Homeward Bound * 'Cross the Wide Missouri. This title is available in MakeMusic Cloud.

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
Page Count: 64
ISBN10: 0-7390-3307-7
ISBN13: 978-0-7390-3307-4
UPC: 038081212296
SKU: 00-21838

More about this title

Why we love this

These arrangements strike an uncommon balance between accessibility and musical integrity. Each arranger brings distinctive craft to familiar material, ensuring that singers develop genuine artistry rather than simply reproducing melody, and the inclusion of piano accompaniments for contest preparation makes this volume immediately practical for adjudication circuits.

What to expect

These arrangements honor the rootedness of folk traditions while adding harmonic color and accompaniment texture that surprises without overwhelming. Singing from this book feels like discovering familiar songs anew, with fresh respect for their emotional depth and structural elegance.

Who it's for

High voice soloists preparing for contests, auditions, or recitals who need tested arrangements with strong accompaniment support. This collection serves singers at intermediate to advanced levels who want folklore presented through the lens of skilled contemporary arrangers rather than simplified versions.

How to get the most out of it

  • Use the online audio to hear how each arrangement unfolds before learning the vocal line; many of these folk songs have subtle harmonic progressions that reward listening first.
  • Pay attention to the lyrical phrasing rather than singing mechanically through the melody. Folk songs live in storytelling, and these arrangements support that narrative arc.
  • Practice with the accompaniment track regularly, but also work without it to strengthen your independence and secure your pitch against the harmonic foundation.
  • Treat the breath marks as suggestions, not requirements. Folk material often rewards singers who shape phrases musically and breathe where the text naturally supports it.

How to use it

Excellent for mixed recital programming where you need to anchor art song with repertoire that resonates with audience and adjudicators alike. Several titles (Amazing Grace, Scarborough Fair, Greensleeves) work beautifully as standalone showcase pieces or as transitions between contemporary and classical sets.

Skills your students will build

  • interpreting accompaniment textures and responding to harmonic support
  • sustaining legit high voice production across extended melodic lines
  • applying rubato and phrasing nuance to folkloric material
  • managing the relationship between memorized storytelling and secure note reading
  • stylistic flexibility across English, Scottish, Irish, Catalan, and American song traditions

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