Flex-Ability: Pops Cover Image

Flex-Ability: Pops: CD

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Flex-Ability: Pops Cover Image

Flex-Ability: Pops: CD

Solo-Duet-Trio-Quartet with Optional Accompaniment

Arr. Victor López

Item: 00-0638B

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Description
The Flex-Ability series, arranged by Victor López, fills the need for multi-level instrumentalists to play popular music together. Each instrument book includes 11 songs in four-part score form. The top line (solo) is for level 2 1/2-3. The second line (duet/harmony) is for level 2-2 1/2. The third line (trio/harmony) is for level 1 1/2. The bottom line (harmony or bass line) is for level 1(only whole, half, dotted half, and quarter notes and rests). The songs are: La Bamba * When the Saints Go Marching In * Eye of the Tiger * Peter Gunn * In the Midnight Hour * China Grove * Jeepers Creepers * Soul Man * Sweet Georgia Brown * Frosty the Snowman * Celebration.

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Additional Details
Series: Flex-Ability Series
Publisher: Alfred Music
Page Count: 4
ISBN10: 0-7579-9202-1
ISBN13: 978-0-7579-9202-5
UPC: 654979030379
SKU: 00-0638B

More about this title

About the Arranger: Victor López

Victor López is a composer and arranger whose work centers on creating accessible, engaging repertoire for school ensembles. His arrangements prioritize musical substance across multiple ability levels, allowing mixed-skill groups to perform together without compromise.

Why we love this

This recording gives you the freedom to hear each part clearly, making rehearsal prep faster and student practice more effective. The backing tracks are genuinely fun to play along with, so students actually want to go home and work on their parts.

What to expect

Infectious and immediate. These are songs people know, instantly recognizable, and the four-part arrangement lets every player feel like they're contributing to something complete. Energy stays high across all 11 selections.

Who it's for

Band and orchestra directors managing sections with wide skill ranges. Works equally well for heterogeneous ensemble classes, beginning band plus advanced players, or studio teachers running multi-level group lessons.

How to get the most out of it

  • Balance the solo line (level 2 1/2-3) so it sits slightly forward without overwhelming the harmony parts; the level 1 students need to hear themselves for confidence.
  • Have different ability levels mark their own entrances in color before rehearsal; prevents confusion about which line each player reads.
  • Rehearse the level 1 bass/harmony parts first in isolation, then add each level progressively; this builds security in younger or newer students.
  • Use the recordings selectively during sectionals, not just full ensemble rehearsals; let advanced players focus on blend and articulation.

How to use it

Program these during a pops concert or casual spring performance where you want genuine crowd engagement. They're also ideal for demonstrating ensemble playing to beginners and their families, since the repertoire is instantly accessible.

Skills your students will build

  • Reading and performing in four-part ensembles with assigned voice roles
  • Maintaining rhythmic independence while blending with other parts
  • Tracking and playing appropriate dynamic levels within a mixed-ability group
  • Following recorded accompaniment tracks as a rehearsal and performance aid

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