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First Year Charts Collection for Jazz Ensemble: Horn in F (Doubles 1st Trombone Part) Book

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First Year Charts Collection for Jazz Ensemble: Horn in F (Doubles 1st Trombone Part) Book

Item: 00-SBM01019

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Description
12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing, ballads, rock, pop, holiday, Latin and a great warm-up chart titled "Loosen Up." This collection of charts is written for full instrumentation of 5 saxophones, 3 trumpets, 3 trombones, and 4 rhythm, but designed to sound full and complete with reduced instrumentation of just nine players - 2 Alto Saxes, Tenor Sax, 2 Trumpets, Trombone, Piano, Bass and Drums. Optional parts are available for C Flute, Tuba (doubles Bass part), Horn in F (doubles 1st Trombone), and Baritone Horn T.C. (doubles 1st Trombone). Rhythm section parts offer suggestions for voicings and rhythms and guitar chord frames are included to assist young guitarists. Solos are written out for improvised sections and there is plenty of full sounding ensemble. Conductor's book includes a full length CD recording. Titles are: Chattanooga Choo Choo * El Gato Gordo * James Bond Theme * A Jazzy Merry Christmas * The Judge * Li'l Darlin' * Loosen Up * One O'Clock Jump * Over the Rainbow * Peter Gunn Theme * The Pink Panther * Rock This Town.

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Additional Details
Series: First Year Charts Collection for Jazz Ensemble
Publisher: Alfred Music
Page Count: 20
ISBN10: 0-7579-7788-X
ISBN13: 978-0-7579-7788-6
UPC: 654979020011
SKU: 00-SBM01019
Instrumentation: Horn in F (Doubles 1st Trombone Part)

More about this title

Why we love this

Horn players finally get a dedicated part instead of doubling trombone verbatim, which opens up genuine jazz ensemble possibilities for bands that include French horn. The variety across twelve charts means you're not locked into one groove or style, and the fact that these work with either full or skeleton instrumentation gives you real flexibility as your ensemble grows.

What to expect

Twelve snapshots of jazz life: you'll swing hard on a classic jump tune, float through a slinky ballad, lock into a Latin groove, and then land squarely in rock and pop territory. The horn voice adds richness and warmth throughout, especially on the slower charts where that mellow brass tone becomes the emotional core.

Who it's for

Horn players in beginning jazz ensembles who want real integration into the section rather than a trombone shadow part. This book is ideal for bands with intermediate jazz experience (at least one year in) that want to expand their instrumentation options without rebuilding existing arrangements.

How to get the most out of it

  • Balance your tone to sit between the trombone section and the trumpets. You're not reinforcing trombone; you're adding a warmer midrange color to the ensemble.
  • Work through the written-out solo sections first to lock in the rhythmic phrasing before attempting any improvisation, especially on swing charts where jazz articulation matters.
  • Mark your part clearly where you're doubling versus where you have independent voicing, so you know exactly when to blend tightly and when to let your voice ring through.
  • Listen to the conductor's CD recording to hear how the horn part sits in the full mix, particularly on ballads where a single horn voice carries real weight.

How to use it

Use these as your primary jazz ensemble repertoire for a season or concert series, programming by style or tempo to create pacing variety. The included holiday chart fits naturally into a winter concert, while "Loosen Up" serves as an effective opener for any jazz performance or as a rehearsal warm-up that doubles as a performance piece.

Skills your students will build

  • Jazz articulation and phrasing in swing, ballad, and Latin feels
  • Reading written-out solo sections and understanding jazz melodic vocabulary
  • Blending within a trombone section while maintaining distinct horn tone color
  • Listening to chord changes and responding to rhythm section cues
  • Time feel and rhythmic precision across multiple tempos and styles

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