First Year Charts Collection for Jazz Ensemble Cover Image

First Year Charts Collection for Jazz Ensemble: Drum Book

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First Year Charts Collection for Jazz Ensemble Cover Image

First Year Charts Collection for Jazz Ensemble: Drum Book

Item: 00-SBM01015

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Description
12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing, ballads, rock, pop, holiday, Latin and a great warm-up chart titled "Loosen Up." This collection of charts is written for full instrumentation of 5 saxophones, 3 trumpets, 3 trombones, and 4 rhythm, but designed to sound full and complete with reduced instrumentation of just nine players - 2 Alto Saxes, Tenor Sax, 2 Trumpets, Trombone, Piano, Bass and Drums. Optional parts are available for C Flute, Tuba (doubles Bass part), Horn in F (doubles 1st Trombone), and Baritone Horn T.C. (doubles 1st Trombone). Rhythm section parts offer suggestions for voicings and rhythms and guitar chord frames are included to assist young guitarists. Solos are written out for improvised sections and there is plenty of full sounding ensemble. Conductor's book includes a full length CD recording. Titles are: Chattanooga Choo Choo * El Gato Gordo * James Bond Theme * A Jazzy Merry Christmas * The Judge * Li'l Darlin' * Loosen Up * One O'Clock Jump * Over the Rainbow * Peter Gunn Theme * The Pink Panther * Rock This Town.

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Additional Details
Series: First Year Charts Collection for Jazz Ensemble
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7579-7784-7
ISBN13: 978-0-7579-7784-8
UPC: 654979019978
SKU: 00-SBM01015
Instrumentation: Drums

More about this title

Why we love this

A drummer in a beginning jazz ensemble needs charts that don't demand advanced independence or complex polyrhythms, and this collection delivers exactly that. The variety of styles ensures your section stays engaged across swing feels, Latin grooves, rock patterns, and ballad textures while building fundamental jazz vocabulary without overwhelming players still developing their chops.

What to expect

A tour through classic and contemporary jazz styles delivered with energy and charm. These arrangements swing hard on standards like "One O'Clock Jump" and "Li'l Darlin'," shift smoothly into laid-back ballad grooves, detour into Latin territory, and land on rock and pop territory that feels fresh alongside the jazz standards.

Who it's for

Beginning jazz drummers who are reading their first swing charts and need accessible material that sounds complete even with a small ensemble. This book works equally well for a drummer in a middle school jazz ensemble or a high school drummer early in their jazz education.

How to get the most out of it

  • Listen closely to the piano and bass on each chart to lock the fundamental groove before adding your own interpretation; the written suggestions in the rhythm section parts are guides, not restrictions.
  • Start with half-time feels on the swung charts to build confidence with the style before graduating to full swing articulation and independence.
  • On the rock and pop tunes, focus on solid timekeeping and let the ensemble drive the energy rather than trying to add fills that might obscure the arrangement.
  • Use the full-length CD recording to hear how each chart should sit; playing along with the recording is one of the fastest ways to absorb the intended groove and feel.

How to use it

Rotate through the collection across a rehearsal cycle so your ensemble samples multiple styles and tempos in one season. The variety makes these charts ideal for a concert that showcases your program's range, or pull individual titles as standalone repertoire when you need a warm-up chart, a holiday arrangement, or a groovy closer.

Skills your students will build

  • Reading and executing swing rhythm with consistent feel and articulation
  • Differentiating between swing, straight-eighth rock, and Latin jazz drumming
  • Locking in with bass and piano through written rhythm section parts
  • Maintaining steady timekeeping while accompanying improvised solos
  • Building dynamic control across ballads and energetic ensemble sections

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