Fighting Falcon March Cover Image

Fighting Falcon March: Concert Band Conductor Score & Parts

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Fighting Falcon March Cover Image

Fighting Falcon March: Concert Band Conductor Score & Parts

By Todd Stalter

Grade: 1 (Very Easy)

Item: 00-24654

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Description
Fighting Falcon March was written for the Eureka Middle School 6th Grade Band from Eureka, Illinois. It is a simple yet tuneful and inspiring march that is ideally suited for young musicians learning to play in the march-style. In his youth, the composer was fascinated by aircraft of all kinds, and happened to live near an Air National Guard base that hosted a squadron if F-16 "Fighting Falcons." These nimble and sleek jets could regularly be seen flying over the area, and they never ailed to stir feelings of awe and patriotism as they knifed through the air. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Fighting Falcon March: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Debut Series
Publisher: Alfred Music
Page Count: 114
ISBN10: 1-4706-5367-2
ISBN13: 978-1-4706-5367-5
UPC: 038081268910
SKU: 00-24654

More about this title

About the Composer: Todd Stalter

Todd Stalter

Todd Stalter spent 34 years as Director of Bands at Eureka High School in Illinois, where he built one of the state's most decorated band programs. His marching band earned 16 Class 1A state championships, his concert band consistently achieved Superior ratings at IHSA contests, and his ensembles performed at Orchestra Hall in Chicago and Walt Disney World, along with winning festival championships at the Cotton and Liberty Bowls. He was inducted into the Illinois State Marching Band Championships Hall of Fame.

Beyond his tenure at Eureka High, Stalter has conducted All-State bands in Georgia and Delaware, guest-conducted regional honor bands, and maintains an active schedule as an adjudicator and clinician throughout the Midwest. His compositions for band and string orchestra are performed internationally and appear on state contest and festival lists across the United States. Several of his band works are featured in the "Teaching Music Through Performance in Band" series published by GIA. Stalter holds degrees from Illinois State University, including a Bachelor of Music Education (cum laude) and a Master of Music in Trumpet Performance.

Why we love this

Stalter wrote this march specifically for sixth graders learning march style for the first time, which means every phrase is singable, every part sits comfortably in its range, and the musical payoff feels genuine rather than patronizing. The inspired title and patriotic character give young musicians something worth playing for, and the straightforward form makes it an ideal teaching vehicle for ensemble balance, controlled dynamics, and the clean articulation that defines good march style.

What to expect

The piece captures the energy and wonder Stalter felt watching F-16 fighters knife through the sky near his Illinois home. It marches forward with purpose and uplift, combining the straightforward optimism of a Grade 1 march with genuine melodic substance. The result is inspiring without being heavy, sturdy without being dull.

Who it's for

This march is built for sixth graders new to band who are learning march style for the first time. The Grade 1 difficulty means no one struggles with their part, freeing students to focus on the ensemble skills and stylistic concepts that make marching music distinct. Directors programming a patriotic concert, a summer pops show, or a Fourth of July performance will find a piece that sounds impressive with minimal rehearsal time.

How to get the most out of it

  • Lock in the steady pulse by having your section leaders count off every rehearsal; marches live and die by rhythmic precision, and young players respond well to visible, audible beat patterns.
  • Shape the melodic phrases naturally even within the march idiom; resist the urge to make it mechanical. Stalter wrote tuneful lines that deserve gentle dynamic contours.
  • Balance the parts carefully during your first read-through, particularly between the melody and inner voices. At Grade 1, everyone wants to play loud, so establishing the hierarchy early prevents texture from becoming muddy.
  • Use the recorded accompaniment if your ensemble needs rhythmic support during early rehearsals, then remove it as confidence builds so students learn to rely on each other and the conductor.

How to use it

Open a patriotic concert or Independence Day performance with this march to set a confident, energetic tone. Its accessibility makes it ideal for a program that mixes difficulty levels, allowing your sixth-grade band to anchor the first half while more advanced ensembles take the stage later. The piece also works well as a festival or contest selection where young musicians benefit from both the musical challenge and the morale boost of performing at a public event.

Skills your students will build

  • March-style articulation and phrasing
  • Maintaining steady tempo and ensemble pulse
  • Balancing melody and accompaniment parts
  • Controlled dynamics within the march idiom
  • Sectional listening and blend
  • Responding to conductor cues for style and expression

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